Функции шаманов в бурятской эпической традиции

Q2 Arts and Humanities
Natalia N. Nikolaeva, Liudmila S. Dampilova
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引用次数: 0

Abstract

Introduction. It is urgent enough to reveal original features of epic traditions in certain ethnic environments to draw a general epic picture of Central Asian peoples. As is evident, shamanism has given rise to diverse epic and poetic genres. Shamanic and epic texts of Mongols are characterized by identical mythological patterns of world order, unified heavenly pantheons, coherent and synonymous ideas and concepts. Goals. The article aims to identify the functions of a shaman/shamaness in plots of Buryat epic narratives, determine the former’s position and status in the system of images. So, the paper shall analyze epic texts clustering with different local traditions of Cis-Baikal Buryats, delineate images of shamans and shamanesses to consider them in a comparative perspective with the involvement of ethnographic material. Materials and methods. The study employs comparative-historical and contrastive methods as key tools of analysis. It examines Buryat epic texts — both published ones and those contained in archives of the Center of Oriental Manuscripts and Xylographs (IMBTS SB RAS). Results. The paper suggests that in the Buryat epic tradition shamans and shamanesses can be viewed as traditional characters traced back to most archaic beliefs, though their functions in uligers are essentially limited and monotypic. There is a gender division at different levels of the universe: celestial deities of upper realms are represented by male shamans, while only shamanesses exhibit activity in the Middle World (i.e., on the Earth). The functions of male shaman deities are nominal and not that significant for the plot. The status of a shamaness in variants and versions of the Unga Geseriad is quite high: she serves as mediator between Heaven and Earth, defender, assistant and adviser to the main characters, clairvoyant and soothsayer — and performs the classical role of shamans in society. Narratives recorded from shaman taletellers or individuals with extensive expertise in shamanic traditions tend to entrust shamanesses with larger plot development impacts rather than those delivered by mere narrators. However, in other uligers (not included in Geseriad) the shamaness — though endowed with the same functions of a clairvoyant, soothsayer and adviser — is opposed to the main character and supports his enemies. So, such uligers often contain the motif of her physical elimination. As can be seen from the above, in Buryat uligers male shamans are rather passive and nominal characters, while shamanesses do play most active roles. In general, the status of shamanesses in the epic tradition does not quite correlate with the traditionally high status of shamans and shamanesses among Cis-Baikal Buryats.
布里亚史诗传统中的萨满函数
介绍。揭示特定民族环境下的史诗传统的原初特征,勾勒出中亚民族史诗的总体图景,已迫在眉睫。很明显,萨满教产生了多种史诗和诗歌体裁。蒙古人的萨满文和史诗具有相同的世界秩序神话模式、统一的天上诸神、连贯和同义的思想和概念的特点。的目标。本文旨在明确萨满/萨满在布里亚特史诗叙事情节中的作用,确定萨满/萨满在形象体系中的地位和地位。因此,本文将分析具有顺贝加尔湖布里亚特不同地方传统的史诗文本集群,描绘萨满和萨满形象,并在民族志材料的介入下进行比较研究。材料和方法。本研究采用比较历史法和对比法作为主要分析工具。它考察了布里亚特史诗文本——既包括出版的文本,也包括东方手稿和木本中心(IMBTS SB RAS)档案中包含的文本。结果。本文认为,在布里亚特史诗中,传统的萨满和萨满可以被看作是传统的人物,可以追溯到最古老的信仰,尽管他们在乌利格尔中的作用基本上是有限的和单一的。在宇宙的不同层次上有性别划分:上层领域的天神由男性萨满代表,而只有萨满在中土世界(即地球上)表现出活动。男性萨满神的功能是名义上的,对情节来说并不那么重要。萨满在各种变体和版本的《Unga Geseriad》中地位相当高:她是天地之间的调解人,是主要人物的捍卫者、助手和顾问,是预言家和占卜者,在社会中扮演着萨满的经典角色。从萨满说书人或具有广泛萨满传统专业知识的个人记录的叙述往往委托萨满巫师对情节发展产生更大的影响,而不是仅仅由叙述者提供。然而,在其他小说中(不包括在《基撒里亚》中),萨满——尽管被赋予了与预言家、预言家和顾问相同的功能——反对主角,支持他的敌人。所以,这样的画通常包含了她身体被淘汰的主题。从上面可以看出,在布里亚特乌列格,男性萨满是相当被动和名义上的角色,而萨满确实发挥了最积极的作用。总的来说,在史诗传统中,萨满的地位与传统上在顺贝加尔湖布里亚特人中萨满和萨满的地位并不完全相关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Oriental Studies
Oriental Studies Arts and Humanities-History
CiteScore
0.50
自引率
0.00%
发文量
49
审稿时长
24 weeks
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