{"title":"Correction to: The Morbid Symptoms of Capitalist Culture: Stuart Brisley’s Placement with Hille & Co. Furniture Factory (1970–1972)","authors":"","doi":"10.1093/oxartj/kcad024","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":"20 1","pages":"0"},"PeriodicalIF":0.1000,"publicationDate":"2023-10-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"OXFORD ART JOURNAL","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oxartj/kcad024","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
期刊介绍:
The Oxford Art Journal has an international reputation for publishing innovative critical work in art history, and has played a major role in recent rethinking of the discipline. It is committed to the political analysis of visual art and material representation from a variety of theoretical perspectives, and has carried work addressing themes from Antiquity to contemporary art practice. In addition it carries extended review of major contributions to the field.