Life and creative work of Pan Yue in the context of his “Rhapsody on the Mouth Organ”

IF 0.6 Q3 COMMUNICATION
Ivan Ivanovich Semenenko
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Abstract

The research aims to determine the main characteristics of the life and literary works of one of the most prominent Chinese poets of the late 3rd century CE Pan Yue. The paper examines the biography of the author in its various periods and stages, the themes and uniqueness of his works in different traditional genres, as well as the historical fate and significance of his literary legacy. The scientific novelty of the research lies in the fact that it is the first time in Russian Sinology that the life and poetry of Pan Yue become the subject of a specific and comprehensive study: a detailed periodization of his biography is provided, a thematic classification of his works is presented, the related discussions in Chinese tradition are analyzed, the key importance of Pan Yue’s “Rhapsody on the Mouth Organ” for understanding his worldview, creative work and life conflicts is revealed. As a result of the research, the main periods and stages in Pan Yue’s biography have been established; the contradictory nature of traditional evaluations of the poet’s verses has been explained; the main themes of his works with the central theme of mourning for the deceased have been identified; the aesthetic significance of the category of sorrow in Pan Yue’s literary works as a means of restoring harmony and life has been clarified.
从《口琴狂想曲》看潘岳的生平与创作
本研究旨在确定公元3世纪晚期中国最杰出的诗人之一潘岳的生活和文学作品的主要特征。本文考察了作者在不同时期和阶段的生平,他的作品在不同传统体裁中的主题和独特性,以及他的文学遗产的历史命运和意义。本研究的科学新颖性在于,在俄罗斯汉学中首次对潘岳的生平和诗歌进行了具体而全面的研究;本文对潘岳的生平进行了详细的年代划分,对其作品进行了主题分类,分析了中国传统中有关潘岳的讨论,揭示了潘岳的《口琴狂想曲》对理解潘岳的世界观、创作和生活冲突的关键意义。研究结果确定了潘岳传记的主要时期和阶段;对诗人诗作传统评价的矛盾性进行了解释;他的作品的主题与哀悼死者的中心主题已经确定;阐明了潘岳文学作品中悲情范畴作为恢复和谐与生命的手段的美学意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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