Stimulating the Law through Ubuntu and Nagomi in Three Japanese Short Stories

Gabriel Kosiso Okonkwo
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Abstract

Abstract Critical engagement with and intersections of Japanese and African literatures are burgeoning. In pre-colonial African society, a lawful action was that action that took into consideration the common good expressed in the spirit of Ubuntu. Interestingly, Japanese literature and African literature share this universal character in common. Ubuntu intersects with the Japanese philosophy of Nagomi which emphasises harmony and balance thereby creating a nexus of transcultural hybridity. This paper examines Ubuntu and Nagomi as transcultural motifs in stories by Akutagawa Ryunosuke, Nagai Kafu, and Uno Koji in Akutagawa and Others: Three Japanese Short Stories to highlight ideological and law-oriented similarities. Carl Jung’s Persona-Archetype is privileged in this study because it accounts for the recurring images of Ubuntu and Nagomi in the public life of the characters. These cultural images help them to mitigate defiant conducts which violate the fundamental human rights and life purpose of other characters. In Nagai Kafu’s “Behind the Prison” , the motif of physical and psychological imprisonment is eye-catching as the narrator writes His Excellency expressing his frustration at the awful state of things in his Japanese society. Uno Koji’s “Closet LLB” interrogates the imperatives of choice and identity while Akutagawa Ryunosuke’s “General Kim” is a story based on the history of Japan and its neighbour, Korea. In the stories, the protagonists and other characters act heroically in ways that evince the tenets of Ubuntu and Nagomi. Their heroic actions allay the fears of their vulnerable compatriots and protect their fundamental human rights.
从三个日本短篇小说的“乌班图”和“长生”来刺激法律
日本和非洲文学的交叉与批判性参与正在蓬勃发展。在殖民前的非洲社会,合法的行动是考虑到乌班图精神所表达的共同利益的行动。有趣的是,日本文学和非洲文学有着共同的共性。Ubuntu与日本的Nagomi哲学相交叉,Nagomi强调和谐与平衡,从而创造了跨文化混合的联系。本文考察了芥川龙之介、永井佳夫和宇野浩二在《芥川及其他人:三篇日本短篇小说》中的故事中作为跨文化主题的乌班图和长江,以突出意识形态和法律导向的相似性。卡尔·荣格的人物原型在这项研究中很有优势,因为它解释了人物在公共生活中反复出现的乌班图和长尾的形象。这些文化形象有助于他们减轻违反其他角色基本人权和生活目的的挑衅行为。在永井嘉夫的《监狱背后》中,当叙述者写到他的阁下表达他对日本社会糟糕状况的沮丧时,身体和心理监禁的主题是引人注目的。Uno Koji的《Closet LLB》探讨了选择和身份的必要性,而芥川龙之介的《金将军》则是一个基于日本及其邻国韩国历史的故事。在故事中,主角和其他角色以英雄的方式表现出Ubuntu和Nagomi的原则。他们的英勇行动减轻了脆弱同胞的恐惧,保护了他们的基本人权。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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