{"title":"Reclaiming Black Spaces in Jazz Dance","authors":"Mercedes Hicks","doi":"10.5070/d511162281","DOIUrl":null,"url":null,"abstract":"Jazz has never been about who can do the most pirouettes into a side aerial, or making sultry faces to earn competition points--it has been a creative space for freedom and healing, and could be again.","PeriodicalId":249105,"journal":{"name":"Dance Major Journal","volume":"3 12 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Dance Major Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5070/d511162281","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Jazz has never been about who can do the most pirouettes into a side aerial, or making sultry faces to earn competition points--it has been a creative space for freedom and healing, and could be again.