Ingarden’s Aesthetic Argument Against Husserl’s Transcendental Idealism Turn

Q4 Arts and Humanities

Analiza i Egzystencja Pub Date : 2023-01-01 DOI:10.18276/aie.2023.63-04

Hicham Jakha

引用次数: 0

Abstract

Husserl’s allegiance to realism came under attack following his Ideas. Ingarden was a fierce critic of his teacher’s turn to transcendental idealism, and provided compelling arguments both for his idealist reading of Husserl and for his rejection of idealism. One of the main arguments Ingarden devised against Husserl’s turn was based on his aesthetics. Against Husserl, Ingarden established literary works and fictional objects as purely intentional objects that are (1) doubly-structured, vis-à-vis their formal ontology, and (2) endowed with spots of indeterminacy. These facts, Ingarden argues, necessitate the transcendence of the purely intentional object. In this paper, I explore his argument, while establishing the ontological foundation on which it rests.

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英加登对胡塞尔先验唯心主义转向的美学论证

胡塞尔对现实主义的忠诚在他的《思想》之后受到了攻击。因加登强烈批评他的老师转向先验唯心主义，并为他对胡塞尔的唯心主义阅读和他对唯心主义的拒绝提供了令人信服的论据。因加登提出的反对胡塞尔的主要论点之一是基于他的美学。与胡塞尔相反，因加登将文学作品和虚构对象确立为纯粹的意向性对象，它们(1)具有双重结构，相对于-à-vis它们的形式本体论，(2)具有不确定性。因加登认为，这些事实使得超越纯粹意向性客体成为必要。在本文中，我探讨了他的论点，同时建立了其所依赖的本体论基础。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Analiza i Egzystencja Arts and Humanities-Philosophy

CiteScore

0.20

自引率

0.00%

发文量

审稿时长

26 weeks

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