AN OVERVIEW ON MANIPURI NATA SANKIRTANA TALA SYSTEM

Meikam Thoiba Singh, Rajeshwari Devi Khangembam
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Abstract

Nata Sankirtana is a form of worship, considered as a Purvaranga. It is the cultural soul of Manipuri society from birth to death which is performed using five different areas such as rituals, pung consisting of taalas or rhythm, songs, dance, and story in worshipping the lord. These different aspects utilized are of a complex nature. At present, these are not found in any part of India except in Manipuri Nata Sankirtana ritualistic performance. Such uniqueness is clearly visible in punglons, the drum-beatd used in Sankirtana since long time. This taala shastra system is not found nowadays in Desi Taala shastra too. Many scholars gave their view that the different aspects of the Margi taala have long been ceased to exist from the Indian soil, except a few mentions in the Shastra. It is the pride and practice of India that such types of Vedic talas found nowhere in India today have long been kept nourished and flourished within the folds of a tiny state like Manipur. It is being felt that some research works are needed to fill up the vacuum that had been created earlier in academic inputs thereby bringing out the real essence and beauty of Nata Sankirtana. This Paper focuses on Manipuri Nata Sankirtana Tala system.
曼尼普尔邦纳塔桑基塔纳塔拉体系概述
Nata Sankirtana是一种崇拜形式,被认为是Purvaranga。它是曼尼普尔社会从出生到死亡的文化灵魂,它通过五个不同的领域进行表演,如仪式、由塔拉斯或节奏组成的pung、歌曲、舞蹈和崇拜上帝的故事。所使用的这些不同方面具有复杂的性质。目前,这些在印度的任何地方都找不到,除了曼尼普尔邦的Nata Sankirtana仪式表演。这种独特性在punglons中清晰可见,punglons是桑基尔塔纳长期使用的鼓声。这种塔阿拉沙斯塔系统现在在德西塔阿拉沙斯塔也找不到。许多学者给出了他们的观点,即Margi taala的不同方面早已从印度土地上停止存在,除了在Shastra中提到的几个方面。这是印度的骄傲和实践,这种类型的吠陀塔罗在今天的印度无处可寻,长期以来一直在曼尼普尔这样一个小邦的圈子里得到滋养和繁荣。人们认为,需要进行一些研究工作,以填补早先在学术投入方面造成的真空,从而展现出纳塔·桑基尔塔纳的真正精髓和美丽。本文的重点是曼尼普尔纳塔桑基尔塔纳塔拉系统。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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