Ancient Repairs on the Alexander Mosaic from Pompeii

IF 0.3 N/A ARCHAEOLOGY
Demet BEŞİKÇİ
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 Since mosaics are composed of lots of small pieces, they can quickly disintegrate in any destructive situation and fall apart easily. Through the ages, the loss of components occurred as a result of not only great destruction and devastation, but also of wear due to overuse. In such cases, in order to reduce the growth of the damaged area, various repair techniques were used, and the use of the structures/spaces continued. The craftsmen doing these repairs sometimes tried to restore the floor and its decoration elements to its original appearance, and other times utilised different materials in order to re-open the space as quickly as possible. The location and dimension of the damage as well as the repair methods on the mosaic provide us with information on the techniques of the craftsmen and the practices of the period.
 Found at the Casa del Fauno (VI 12, 2) in Pompeii on October 24, 1831 and dated to the end of the 2nd century BC (120 BC) (Pappalardo - Ciardiello 2010: 153) the Alexander Mosaic is one of the most well-known mosaics today, as well as being famous enough in the period it was made to be mentioned in historical and literary sources. The original is preserved in the Naples National Archaeological Museum (MANN, inventory number 10020). It depicts the battle of Issus (333 BC) or Gaugamela (331 BC) between Alexander the Great and Darius III (Pappalardo - Ciardiello 2010: 154; Giulierini et al. 2020: 105). Despite having undergone repairs following the extensive damage it sustained in the earthquake of 62 AD, the mosaic never regained its former appearance. It is a rare example, as it was in some parts repaired with tesserae and some other parts repaired using mortar. Studies of the Alexander Mosaic suggest that these two different mending techniques belong to separate attempts from different periods. This article, as a result of detailed examinations, discusses the possibility that repairs made with both tesserae and mortar may have been applied simultaneously after the same destruction.","PeriodicalId":40714,"journal":{"name":"Journal of Mosaic Research","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2023-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Mosaic Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26658/jmr.1376708","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
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Abstract

Every so often throughout antiquity, cities, structures and objects were damaged to varying degrees as a result of wars, earthquakes, floods and fires, and became unusable. However, similar to the present day, in some cases it was possible to maintain their function by carrying out repairs. Traces of such repairs are visible on mosaic flooring, one of the structural elements most affected by these destructions. Since mosaics are composed of lots of small pieces, they can quickly disintegrate in any destructive situation and fall apart easily. Through the ages, the loss of components occurred as a result of not only great destruction and devastation, but also of wear due to overuse. In such cases, in order to reduce the growth of the damaged area, various repair techniques were used, and the use of the structures/spaces continued. The craftsmen doing these repairs sometimes tried to restore the floor and its decoration elements to its original appearance, and other times utilised different materials in order to re-open the space as quickly as possible. The location and dimension of the damage as well as the repair methods on the mosaic provide us with information on the techniques of the craftsmen and the practices of the period. Found at the Casa del Fauno (VI 12, 2) in Pompeii on October 24, 1831 and dated to the end of the 2nd century BC (120 BC) (Pappalardo - Ciardiello 2010: 153) the Alexander Mosaic is one of the most well-known mosaics today, as well as being famous enough in the period it was made to be mentioned in historical and literary sources. The original is preserved in the Naples National Archaeological Museum (MANN, inventory number 10020). It depicts the battle of Issus (333 BC) or Gaugamela (331 BC) between Alexander the Great and Darius III (Pappalardo - Ciardiello 2010: 154; Giulierini et al. 2020: 105). Despite having undergone repairs following the extensive damage it sustained in the earthquake of 62 AD, the mosaic never regained its former appearance. It is a rare example, as it was in some parts repaired with tesserae and some other parts repaired using mortar. Studies of the Alexander Mosaic suggest that these two different mending techniques belong to separate attempts from different periods. This article, as a result of detailed examinations, discusses the possibility that repairs made with both tesserae and mortar may have been applied simultaneously after the same destruction.
庞贝亚历山大马赛克的古代修复
在古代,由于战争、地震、洪水和火灾,城市、建筑和物体经常受到不同程度的破坏,变得无法使用。然而,与今天类似,在某些情况下,通过进行维修可以保持它们的功能。这种修复的痕迹可以在马赛克地板上看到,马赛克地板是受这些破坏影响最大的结构元素之一。由于马赛克是由许多小碎片组成的,它们可以在任何破坏性的情况下迅速分解,很容易破裂。古往今来,部件的损耗不仅是由于巨大的破坏和破坏,而且是由于过度使用造成的磨损。在这种情况下,为了减少受损区域的增长,使用了各种修复技术,并继续使用结构/空间。工匠们有时试图将地板及其装饰元素恢复到原来的样子,有时则使用不同的材料,以便尽快重新打开空间。损坏的位置和尺寸以及马赛克上的修复方法为我们提供了工匠的技术和当时的做法的信息。亚历山大马赛克于1831年10月24日在庞贝的Casa del Fauno (VI 12,2)被发现,可追溯到公元前2世纪末(公元前120年)(Pappalardo - Ciardiello 2010: 153),是当今最著名的马赛克之一,在历史和文学资料中都有提及。原件保存在那不勒斯国家考古博物馆(MANN,库存编号10020)。它描绘了亚历山大大帝和大流士三世之间的伊苏斯战役(公元前333年)或高加梅拉战役(公元前331年)(Pappalardo - Ciardiello 2010: 154;Giulierini et al. 2020: 105)。尽管在公元62年的地震中遭受了巨大的破坏,经过了修复,马赛克再也没有恢复到以前的样子。这是一个罕见的例子,因为它的一些部分是用tesserae修复的,另一些部分是用砂浆修复的。对亚历山大马赛克的研究表明,这两种不同的修补技术属于不同时期的不同尝试。这篇文章,作为详细检查的结果,讨论了在相同的破坏后同时使用粘土和砂浆进行修复的可能性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
24
审稿时长
6 weeks
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