The Marine Mosaics in Late Antique Thrace

IF 0.3 0 ARCHAEOLOGY
Ivo TOPALILOV
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Abstract

It is assumed that marine mosaics were among the most popular mosaic pavements across the Roman Empire, particularly in thermal baths and triclinia. It has therefore been thought unsurprising that marine mosaics widely appear in Early Christian art. Late antique Thrace does not appear to be an exception to this trend, although few examples of such mosaics have been discovered so far. This article addresses all three examples from a villa suburbana in Serdica region as well as other examples from houses in Philippopolis and Augusta Traiana. All dated to the 4th century, these mosaic pavements hold different iconography that suggest that in the marine theme was not among the most popular themes that spread in Late Antique mosaics in the cities of inner Thrace. Instead, their use is attributable to specific historical circumstances such as Julian’s advance into Thrace in 361-362 or the explicit desire and needs of a house owner to present himself as a wealthy merchant to guests. The Philippopolitan mosaic with ‘classical’ iconography may have had a Christian meaning as well. Although this study lacks the necessary support of additional examples, perhaps awaiting discovery at Thrace’s coastal cities, it is a preliminary step toward more accurately gauging the distribution of marine mosaics in Thrace and their role in the development of mosaic art in the region in Late Antiquity.
古色雷斯晚期的海洋马赛克
据推测,海洋马赛克是整个罗马帝国最受欢迎的马赛克路面之一,特别是在温泉浴场和特里利尼亚。因此,海洋马赛克广泛出现在早期基督教艺术中就不足为奇了。古代晚期的色雷斯似乎也不是这种趋势的例外,尽管迄今为止发现的这种马赛克的例子很少。这篇文章从Serdica地区的别墅郊区以及Philippopolis和Augusta Traiana的房屋中找到了三个例子。这些马赛克路面都可以追溯到4世纪,上面有不同的图像,这表明海洋主题并不是最受欢迎的主题,在色雷斯内陆城市的晚期古董马赛克中传播。相反,他们的使用可归因于特定的历史环境,例如朱利安在361-362年进入色雷斯,或者房主明确希望和需要在客人面前展示自己是一个富有的商人。具有“古典”图像的腓立波利马赛克也可能具有基督教的意义。虽然这项研究缺乏额外的例子的必要支持,也许需要在色雷斯的沿海城市发现,但它是更准确地衡量色雷斯海洋马赛克分布及其在上古晚期马赛克艺术发展中的作用的初步步骤。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
24
审稿时长
6 weeks
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