Kuzey Suriye’deki Hierapolis’te (Münbiç) Keşfedilen Dionysos Mozaiği

IF 0.3 N/A ARCHAEOLOGY
Komait ABDALLAH, Mouhamad AL-KAIED
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引用次数: 0

Abstract

In 2017, the remains of the two mosaics were accidentally found in the city of Manbij, 60 km northeast of Aleppo in northern Syria. These mosaics seem to be part of the same architectural context that has completely disappeared. The best preserved mosaic has a very interesting theme. It is the Dionysus scene with his thiasos including Satyr and Bacchant and leopard. There is also an other scene of landscape with river god and animals. The last one, so damaged, conserve just a mask and the rest of two personages and an amphora, beside it, there is an inscription mentioning Eros. The scene of Dionysus evokes the well-known figures in Zeugma and Antioch, Turkey, dated to the end of the 2nd century AD and the beginning of 3nd centuries. Perhaps, it represents the epiphany of the god. The others scenes are probably linked with Dionysus iconography. The mosaic could be dated, according to the stylistic criteria, to the end of 2nd century AD and the beginning of 3nd century AD. It attests the diffusion of the Dionysus cult in the city of Manbij (Hierapolis) in the roman period.
叙利亚北部希拉波利斯(曼比季)发现狄俄尼索斯马赛克画像
2017年,这两幅马赛克的遗骸在叙利亚北部阿勒颇东北60公里的曼比季市被意外发现。这些马赛克似乎是完全消失的同一建筑环境的一部分。保存最好的马赛克有一个非常有趣的主题。这是狄俄尼索斯和他的萨蒂尔、酒神和豹子的场景。还有一幅河神和动物的风景画。最后一个,损坏得很严重,只保留了一个面具,剩下的两个人物和一个双耳罐,在它旁边,有一个提到厄洛斯的铭文。酒神的场景让人想起了公元2世纪末和3世纪初在土耳其的泽格马和安提阿的著名人物。也许,它代表了神的顿悟。其他的场景可能与酒神的肖像有关。根据风格标准,这幅马赛克可以追溯到公元2世纪末和公元3世纪初。它证明了罗马时期酒神崇拜在曼比城(希拉波利斯)的传播。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
24
审稿时长
6 weeks
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