Research on the origin of the image of the Kizil Grottoes and its creative design

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Abstract

Qiuci was one of the great western states of China in ancient times, centered in present-day Kucha, and at its height had a vast territory, a developed economy, and a continuous flow of culture and art. The Kizil Grottoes are located in the territory of the qiuci Kingdom, an important area along the northern route of the Taklamakan Desert in the Xinjiang section of the Silk Road, from which religious art first entered China, and its unique geographical location became a gathering place for a variety of cultures and arts. The unique art of mural painting here, which records the art of music and dance not yet handed down from qiuci, is a treasure of Chinese culture for a thousand years. This paper focuses on the art of the Kizil Grottoes as an entry point to dig deeper into the prominent and significant cultural features of the Kizil Grottoes murals and the basic cultural values in the Kizil Grottoes, through investigation, documentation, screening, classification, and finally summarizing the designed research methodology. It also provides an inductive summary of ancient and modern documentary texts and pictorial materials about the Kizil Grottoes and the history of cultural and creative product development of cave art in China with its contemporaries. The study is intended to prepare the cultural and artistic aspects of the Kizil Grottoes for the innovative design of cultural and creative products.
克孜勒石窟形象的起源及其创意设计研究
龟兹是古代中国西部的一个大国,以今天的库车为中心。在其鼎盛时期,疆域辽阔,经济发达,文化和艺术不断流动。克孜勒石窟位于龟兹王国境内,是丝绸之路新疆段塔克拉玛干沙漠北线的重要地区,是宗教艺术最早进入中国的地方,其独特的地理位置成为各种文化艺术的聚集地。这里独特的壁画艺术,记录了龟兹尚未传世的音乐和舞蹈艺术,是中国千年文化的瑰宝。本文以克孜勒石窟艺术为切入点,通过调查、文献、筛选、分类等方法,深入挖掘克孜勒石窟壁画突出而重要的文化特征和克孜勒石窟的基本文化价值,最后总结设计的研究方法。并对古今有关克孜勒石窟的文献文献和图片资料进行归纳总结,以及中国与同时代洞穴艺术文化创意产品的发展史。本研究旨在为克孜勒石窟文化艺术方面的创新设计做准备。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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