"Singular Plurality": Settler Colonial Transcendence and Canada's 2021 Guest-of-Honour Campaign at the Frankfurt Book Fair

IF 0.5 Q1 HISTORY
Jody Mason, Sarah Pelletier
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引用次数: 0

Abstract

Abstract: Building on recent scholarship on the role of the Frankfurt Book Fair in contemporary book culture, this paper looks at FBM2021, Canada's guest-of-honour campaign for the 2021 Frankfurt Book Fair. FBM2021's brand, "Singular Plurality," depended on Indigenous authors and their writing to signify the post-reconciliation eclecticism that is at the heart of Canadian Heritage's current cultural export strategy. The sign of reconciliation—part of a settler strategy that Lowman and Barker identify as transcendence ––is particularly treacherous in this context because it folds Indigenous writers and their work into a creative-economy logic that depends on cultural diversity as a unifying sign, while actively suppressing questions regarding Indigenous sovereignty. We argue that the campaign's silencing of questions of production is the motor of transcendence . Drawing on a survey we conducted with Indigenous-owned publishers in Canada, we attend to the unique needs of Indigenous-owned publishers to make visible the fact that reconciliation is not simply a matter of culture; it is at the same time always a matter of political and economic sovereignty.
“单一多元”:定居者殖民超越与加拿大2021年法兰克福书展主宾国活动
摘要:本文以近期关于法兰克福书展在当代图书文化中的作用的研究为基础,研究了加拿大主办的2021年法兰克福书展主宾国活动FBM2021。FBM2021的品牌“单一多元”(Singular Plurality)依靠土著作家和他们的作品来表达和解后的折衷主义,这是加拿大遗产协会当前文化出口战略的核心。和解的标志——洛曼和巴克认定为超越的定居者策略的一部分——在这种背景下尤其危险,因为它将土著作家和他们的作品融入了一种创造性的经济逻辑,这种逻辑依赖于文化多样性作为统一的标志,同时积极地压制有关土著主权的问题。我们认为,这场运动对生产问题的沉默是超越的动力。根据我们对加拿大土著出版商进行的一项调查,我们关注土著出版商的独特需求,以使和解不仅仅是一个文化问题;同时,这始终是一个政治和经济主权问题。
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来源期刊
Book History
Book History HISTORY-
CiteScore
0.60
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