LITERATURE AND ETHICS

Milica Denkovska
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Abstract

“Literature is the teacher of ethics” (Temkov). If one assumes that literature reflects life, then it only serves to pedagogically illustrate classic questions: how one should behave towards one’s fellow human beings, what virtue and vice are, how conflicts arise and how they are to be solved and which are the highest goods are in life. However, literature itself teaches us much more: it touches delicate issues that no other medium would dare to do. Only literary works can delicately, profoundly and provocative handle questions like love, war, guilt, (un)justice. The modern moral standards would not allow Lolita, Tadzio, or Törleß. New theories of literature and ethics focus on the reading process because ‘literary fiction debates norms and values’. In this paper, the attempt has been made to acknowledge the value of theme diversity in literature in order to broaden the limits of moral dilemmas, but also to discuss the cultural influence, as well as the role of the narrative, author and reader in the comprehension of ethical questions. Bernhard Schlink’s “The Reader” and Peter Handke`s “Winter Journey” are only the tip of the iceberg concerning a much broader topic realm.
文学与伦理学
“文学是道德的老师”(特姆科夫)。如果一个人认为文学反映了生活,那么它只是在教学上说明了一些经典问题:一个人应该如何对待他的同胞,什么是美德和罪恶,冲突是如何产生的,如何解决的,什么是生活中最高的幸福。然而,文学本身教会了我们更多:它触及了其他媒介不敢触及的微妙问题。只有文学作品才能细腻、深刻、刺激地处理爱情、战争、罪恶、正义等问题。现代道德标准不允许洛丽塔、塔齐奥或Törleß。新的文学和伦理学理论关注阅读过程,因为“文学小说争论规范和价值观”。本文试图承认主题多样性在文学中的价值,以拓宽道德困境的界限,并讨论文化影响,以及叙事,作者和读者在理解伦理问题中的作用。伯恩哈德·施林克的《读者》和彼得·汉德克的《冬季之旅》只是冰山一角,涉及到更广泛的话题领域。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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