The Chastity Plot by Lisabeth During (review)

IF 0.3 3区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES
Robyn McAuliffe
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Lisabeth During’s The Chastity Plot, however, is a much-needed and important new addition to the conversation surrounding chastity, covering a multitude of literary and cross-cultural traditions to identify and explicate the cultural preoccupation with chastity and virginity that has endured since antiquity. Drawing on examples from many literary genres, During uses each chapter to chart the glorification and downfall of the chastity ideal. She begins first with a brief introduction to the concept of chastity, its prevalence within contemporary evangelical and conservative Christian teachings, and its links with morality, before moving in chapter 1 to an elucidation of the differences between “the eunuch’s plot” favored by Church writings, specifically within saints’ lives, and “[c]hastity plots,” which “stage a struggle against the social insistence on marriage and reproduction” (30). From her analysis of the female saint Thecla, [End Page 223] known for her chastity and allegiance to the teachings of St. Paul, and the eighteenth-century advocate of chastity, Pamela, from Richardson’s Pamela; or, Virtue Rewarded, During moves on to an analysis in chapter 2 of the tragic hero Hippolytus, whose devout allegiance to the chaste state in Euripides’s classical Greek tragedy Hippolytus ends in turmoil. This is a particularly effective chapter for its exploration of male chastity, its links with misogyny within the play, and the dangers of an unchecked and uncontrolled male chastity. Chapter 3 focuses on the “antimarriage plot” and the issue of reconciling chastity with marriage (87). During’s analysis focuses predominantly on female characters who resent prescriptive marriage and seek a life of asexual independence; specifically, she looks to those in Aeschylus’s The Suppliants, the myth of the misandrist Chinese princess Turandot in various literary forms, including Gozzi’s Turandot, before turning to the twentieth-century antimarriage narrative of The Philadelphia Story. Chapters 4 and 5 take a more religious turn, focusing on the “radical sexual renunciation” of Christianity and the difficulty of aligning chastity with conjugality (132). Both chapters focus on the ascetic’s desire to return to a prelapsarian condition of sexual innocence, a sentiment that flavors many ecclesiastical diatribes advocating the spiritual benefits of virginity. Chapters 6 and 7 explore both the early modern admiration of the chaste state and also the anxieties it occasions when such a state is maintained by a monarch, using England’s Queen Elizabeth I as a case study. Chapter 6 draws attention to the admiration her virginity elicited during the period, while chapter 7 focuses on the negative impact of her virginity, namely how her lack of an heir called into question monarchical inheritance and caused widespread dynastic anxiety. Chapter 8, the concluding chapter, focuses on contemporary examples of the chastity plot and its reception in the twenty-first century. The analysis in chapter 8 includes Samuel Richardson’s novel Clarissa: Or the History of a Young Lady, written a number of years after Pamela in the eighteenth century, which tells the story of the violent rape of the eponymous heroine whose chastity cannot outlast the erotic impulses her virtue stirs up in the villain, Lovelace. During’s analyses, the final chapter notwithstanding, reinforce a link between the predominantly gendered nature of virginity as a feminine attribute and its highly sexualized and eroticized nature; a purity that from antiquity until the present day seemingly stimulates sexual desire that, once rebuffed, brings about sexually violent assault or threats of assault. One of the most fascinating case studies in the book is that of Queen Elizabeth I’s renowned virginity and the impact this had on both her reign and her contemporaries. 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引用次数: 0

Abstract

Reviewed by: The Chastity Plot by Lisabeth During Robyn McAuliffe Lisabeth During, The Chastity Plot (Chicago: University of Chicago Press, 2021), 391 pp. The title of this book draws attention to a device or, as During reveals, a preoccupation of the media we consume. The “chastity plot” forms central narratives in contemporary books, films, and television shows (for example, Jane the Virgin and the American Pie franchise). The sociologist Laura Carpenter has written extensively on the stigmatization of virginity and virginity-loss within the United States in particular. Lisabeth During’s The Chastity Plot, however, is a much-needed and important new addition to the conversation surrounding chastity, covering a multitude of literary and cross-cultural traditions to identify and explicate the cultural preoccupation with chastity and virginity that has endured since antiquity. Drawing on examples from many literary genres, During uses each chapter to chart the glorification and downfall of the chastity ideal. She begins first with a brief introduction to the concept of chastity, its prevalence within contemporary evangelical and conservative Christian teachings, and its links with morality, before moving in chapter 1 to an elucidation of the differences between “the eunuch’s plot” favored by Church writings, specifically within saints’ lives, and “[c]hastity plots,” which “stage a struggle against the social insistence on marriage and reproduction” (30). From her analysis of the female saint Thecla, [End Page 223] known for her chastity and allegiance to the teachings of St. Paul, and the eighteenth-century advocate of chastity, Pamela, from Richardson’s Pamela; or, Virtue Rewarded, During moves on to an analysis in chapter 2 of the tragic hero Hippolytus, whose devout allegiance to the chaste state in Euripides’s classical Greek tragedy Hippolytus ends in turmoil. This is a particularly effective chapter for its exploration of male chastity, its links with misogyny within the play, and the dangers of an unchecked and uncontrolled male chastity. Chapter 3 focuses on the “antimarriage plot” and the issue of reconciling chastity with marriage (87). During’s analysis focuses predominantly on female characters who resent prescriptive marriage and seek a life of asexual independence; specifically, she looks to those in Aeschylus’s The Suppliants, the myth of the misandrist Chinese princess Turandot in various literary forms, including Gozzi’s Turandot, before turning to the twentieth-century antimarriage narrative of The Philadelphia Story. Chapters 4 and 5 take a more religious turn, focusing on the “radical sexual renunciation” of Christianity and the difficulty of aligning chastity with conjugality (132). Both chapters focus on the ascetic’s desire to return to a prelapsarian condition of sexual innocence, a sentiment that flavors many ecclesiastical diatribes advocating the spiritual benefits of virginity. Chapters 6 and 7 explore both the early modern admiration of the chaste state and also the anxieties it occasions when such a state is maintained by a monarch, using England’s Queen Elizabeth I as a case study. Chapter 6 draws attention to the admiration her virginity elicited during the period, while chapter 7 focuses on the negative impact of her virginity, namely how her lack of an heir called into question monarchical inheritance and caused widespread dynastic anxiety. Chapter 8, the concluding chapter, focuses on contemporary examples of the chastity plot and its reception in the twenty-first century. The analysis in chapter 8 includes Samuel Richardson’s novel Clarissa: Or the History of a Young Lady, written a number of years after Pamela in the eighteenth century, which tells the story of the violent rape of the eponymous heroine whose chastity cannot outlast the erotic impulses her virtue stirs up in the villain, Lovelace. During’s analyses, the final chapter notwithstanding, reinforce a link between the predominantly gendered nature of virginity as a feminine attribute and its highly sexualized and eroticized nature; a purity that from antiquity until the present day seemingly stimulates sexual desire that, once rebuffed, brings about sexually violent assault or threats of assault. One of the most fascinating case studies in the book is that of Queen Elizabeth I’s renowned virginity and the impact this had on both her reign and her contemporaries. Contemporaries, including Sir Walter Raleigh and Edmund Spenser, extolled the virtues...
《贞节情节》(回顾)
伊丽莎白·杜林,《贞节情节》(芝加哥:芝加哥大学出版社,2021年),391页。这本书的标题引起了人们对一种装置的注意,或者正如杜林所揭示的那样,我们对媒体的关注。“贞操情节”构成了当代书籍、电影和电视节目(例如,《处女情缘》和《美国派》系列)的中心叙事。社会学家劳拉·卡朋特(Laura Carpenter)写了大量关于童贞和失去童贞的污名的文章,尤其是在美国。然而,伊丽莎白·杜林的《贞操情节》是围绕贞操话题的一个急需的、重要的新补充,它涵盖了大量的文学和跨文化传统,以确定和解释自古以来就一直存在的对贞操和处女的文化关注。从许多文学流派的例子中,During用每一章来描绘贞操理想的荣耀和堕落。她首先简要介绍了贞操的概念,它在当代福音派和保守基督教教义中的流行,以及它与道德的联系,然后在第一章中阐明了教会著作中青睐的“太监情节”,特别是在圣徒的生活中,与“[c]贞操情节”之间的区别,后者“与社会对婚姻和生育的坚持进行斗争”(30)。从她对女圣徒特格拉的分析来看,特格拉以她的贞洁和对圣保罗教义的忠诚而闻名,以及18世纪提倡贞洁的帕梅拉,来自理查森的《帕梅拉》;在第二章中,他继续分析悲剧英雄希波吕托斯,在欧里庇得斯的古典希腊悲剧《希波吕托斯》中,他对贞洁国家的虔诚忠诚以混乱告终。这一章对男性贞操的探索,与剧中厌女症的联系,以及不受控制的男性贞操的危险,都是特别有效的一章。第三章主要讨论“反婚情节”和贞操与婚姻的调和问题(87)。During的分析主要集中在女性角色身上,她们厌恶规定性的婚姻,寻求无性独立的生活;具体来说,她看了埃斯库罗斯的《求祷者》中的故事,看了各种文学形式的中国公主图兰朵的神话,包括戈齐的《图兰朵》,然后转向了20世纪的《费城故事》中的反婚姻叙事。第4章和第5章更偏向宗教,关注基督教的“激进的性放弃”,以及将贞洁与婚姻结合起来的困难(132)。这两章都聚焦于苦行僧渴望回到堕落前的性纯真状态,这种情感为许多宣扬贞洁精神益处的教会谩斥增添了色彩。第6章和第7章以英国女王伊丽莎白一世为例,探讨了现代早期对贞洁国家的钦佩,以及当这种国家由君主维持时所引起的焦虑。第6章关注的是她的童贞在这一时期所引起的钦佩,而第7章关注的是她的童贞所带来的负面影响,即她没有继承人是如何对君主的继承提出质疑的,并引起了广泛的王朝焦虑。第八章是结束语,重点讨论了当代贞节情节的例子及其在21世纪的接受情况。第8章的分析包括塞缪尔·理查森的小说《克拉丽莎:或者一个年轻女士的历史》,写于18世纪《帕梅拉》之后几年,讲述了同名女主人公被暴力强奸的故事,她的贞洁无法抵挡她的美德在反派拉芙蕾丝身上激起的情欲冲动。在分析过程中,尽管最后一章,强调了童贞作为女性属性的主要性别性质与其高度性化和色情化的性质之间的联系;从古代到现在,这种纯洁似乎激发了性欲,一旦被拒绝,就会带来性暴力攻击或性攻击的威胁。书中最引人入胜的案例研究之一是伊丽莎白女王一世著名的童贞,以及这对她的统治和同时代人的影响。同时代的人,包括沃尔特·罗利爵士和埃德蒙·斯宾塞,都赞美这些美德……
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期刊介绍: Comitatus: A Journal of Medieval and Renaissance Studies publishes articles by graduate students and recent PhDs in any field of medieval and Renaissance studies. The journal maintains a tradition of gathering work from across disciplines, with a special interest in articles that have an interdisciplinary or cross-cultural scope.
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