Introduction: Phoenician Religion and Cult across the Mediterranean

IF 0.6 0 ARCHAEOLOGY
Meir Edrey
{"title":"Introduction: Phoenician Religion and Cult across the Mediterranean","authors":"Meir Edrey","doi":"10.5325/jeasmedarcherstu.11.2-3.0139","DOIUrl":null,"url":null,"abstract":"The religion that the Phoenicians practiced is still largely unknown, mainly due to the dearth of original Phoenician written sources. The only canonical religious Phoenician text we know of, the creation myth, written in the sixth century BCE by Sanchuniathon, a priest from Beirut, is almost entirely lost to us. Only a few quotes were preserved in the writings of Eusebius of Caesarea (Praeparatio evangelica), dated to the fourth century CE, and to a lesser extent in Porphyry’s treaties (Adversus Christianos), dated to the third or fourth century CE. And none of these are direct quotes but instead are quotes from a heavily Hellenized Greek translation of the original text composed by another priest, Philo of Byblos, during the first century CE (Baumgarten 1981; Edwards 1991: 213; Markoe 2000: 119; Ribichini 2001: 121). However, even if this text had been better preserved, it would have been relevant only for a narrow chronological time frame within the long history of Phoenicia and the Phoenicians, since religion, like other aspects of human life, evolves and changes in accordance with the geopolitical reality. The situation becomes even more complex once the Phoenicians settle parts of the Mediterranean basin, coming into contact with new populations, cultures, and ideas, and a hybrid culture somewhat different from that of the homeland is formed. And although over six thousand Phoenician and Punic inscriptions from various periods were found over the years, the majority reveal little information about Phoenician religion other than names of deities, clients, and rituals (Clifford 1990: 55; Ribichini 2001: 120).When turning to exterior sources, the situation is seemingly far better. The Ugaritic mythological and ritualistic texts provide a solid base for the understanding of the Canaanite pantheon (Cross 1973; Pardee 2002), the Hebrew Bible offers useful information on the prominent deities in Phoenicia, and various classical authors provide us with a relatively abundant amount of information on Phoenician deities, rituals, and myths. However, we must remember that these texts are often both biased and anachronistic, and therefore we cannot rely on them too heavily (Clifford 1990: 55; Schoville 1998: 170–71).Fortunately, archaeology can help us fill in some of the blanks, and it provides us with an ever-growing database on Phoenician religion as it evolved throughout the ages, mainly through epigraphic evidence such as theophoric names and dedicatory inscriptions. The available evidence seems to indicate that during the first millennium BCE, the Bronze Age Canaanite pantheon narrowed significantly, and instead of an extended family of deities, the focus was on a divine triad or, more likely, a divine pair. According to Josephus (Contra Apionem 1.1.18), Hiram I built temples for Jupiter, Heracles, and Astarte in Tyre, who can be identified with El, Melqart, and Astarte, and yet unlike the latter two, El is hardly mentioned in Phoenicia.1 The far more common scheme in Phoenicia was of a divine pair consisting of a male and female deity, most often identified with Baal and Astarte. These deities assumed the role of patron of the city, its people, and, perhaps most importantly, the royal family (Edrey 2019: 141–42). Baal was also a “dying and rising” deity, which is another common theme in the mythologies of the ancient Near East likely signifying the cycle of nature (Clifford 1990: 57–58; Markoe 2000: 116–19). The shift in importance from the head of the pantheon to his offspring, which represented the state and the king, was a common practice in the first millennium BCE throughout the ancient Near East, with examples of deities such as Assur, Marduk, Horus, and Zeus (L’Heureux 1979: 71–108; van der Toorn 1995: 2046). This was also a common practice in the southern Levant as demonstrated by national gods such as Qos in Edom, Chemosh in Moab, or Milcom in Ammon (Block 2013). Such changes do not seem to stem from a profound theological revolution but rather manifest the sociopolitical reality of the age during which the Bronze Age political system of city-states gave way to nation states. A similar phenomenon occurred in Phoenicia: however, not on a national level but rather on the city-state level. At the beginning of the first millennium BCE, the cult of several divine pairs was institutionalized in the major Phoenician centers, such as Melqart and Astarte at Tyre, Eshmun and Astarte at Sidon, and Baal and Baalat Gebal at Byblos (Clifford 1990; Edrey 2019: 141–47). These seemingly distinct city-based pantheons led many scholars to argue that each Phoenician city-state followed its own system of beliefs, religious practices, festivals, and rituals (Gubel 2000: 204; Peckham 2001: 20; Woolmer 2011: 98). However, it is commonly accepted today that the unique deities worshipped in each Phoenician city-state are simply a localized manifestation of the same divine pair/triad, as reflected by their interchangeable names, similar attributes, and divine responsibilities, and that the Phoenicians shared a common system of beliefs that can be interpreted as a pan-Phoenician religion (Edrey 2019: 141–47). This view is reflected even more clearly in their cultic practices as they appear in the archaeological record. If archaeology can fill in some of the blanks of Phoenician religion, its contribution to the reconstruction of Phoenician cultic practices is far greater. Archaeology offers us insights into the practical sphere of Phoenician religion through its cult-related material culture, exhibited in sacred architecture, funerary practices, cultic paraphernalia, animal remains, and epigraphic evidence. But while religion represents an official system of beliefs maintained by an authority via a hierarchical clergy, at its top the king or other members of his family as high priests (KAI 14; Ackerman 2013), cultic practices can also represent popular elements influenced by various traditions that at times may directly contradict the laws of the religion. Unfortunately, artifacts and ecofacts frequently lack a broader context, which is where we must turn back to the written sources for a contextualized interpretation. Therefore, the study of Phoenician religion and its cultic practices, and any other aspect related to the Phoenicians, must draw from all the available sources.And this is exactly what the articles presented in this special double issue of JEMAHS demonstrate. They are an amalgam of the study of various cultic artifacts, iconographic, funerary, and epigraphic evidence, in the attempt to reconstruct the religious beliefs and cultic practices of the Phoenicians throughout various periods and across the Mediterranean world:The first article, presented by Hélène Sader deals with the contribution of archaeology to the understanding of Phoenician religion through a case study of standing stones that were found at Tell el-Burak and their possible connection to local industries. A similar find is discussed by Ann E. Killebrew in her article, which deals with a standing stone and other artifacts often associated with cult, found at Tel Akko and related to large-scale Phoenician iron smithing activities at the site during the Persian period. Ida Oggiano and Fabio Porzia present Persian-period figurines of the enthroned bearded man and his possible association to another popular figurine, the pregnant female, suggesting that they may be understood as a divine couple in what the authors refer to as an “open relationship.” Giuseppe Garbati also discusses divine relations between various Phoenician deities in the homeland and across the Phoenician Mediterranean. The Persian period is featured again in an article presented by the present author, which argues that certain changes in Phoenician religion and cult during the Persian period can be explained by Achaemenid / early Zoroastrian influences. Fanni Faegersten and Carolina Lopez-Ruiz discuss the volute motif in Phoenician art and iconography through various media, such as ivories, stone, and wood, and its symbolic meaning. Adriano Orsingher examines Levantine terracotta models dated to the seventh and sixth centuries BCE, identifies them as portable shrines, and compares them to similar examples from across the Mediterranean. He then explores their possible use in funerary rituals. Meritxell Ferrer and Mireia López-Bertran also deal with funerary rituals, exploring the use of bread and the sense of taste in the creation of the ephemeral community of mourners. Federica Spagnoli presents the results of the renewed Sapienza University excavations at the Ras il-Wardija Sanctuary at Gozo and its possible link to the cult place at Tas-Silġ and the goddess Astarte. Manuel Álvarez-Martí-Aguilar reviews the underwater deposition of Phoenician bronze figurines, dated between the eighth and seventh century BCE and found off the southwestern coasts of the Iberian Peninsula. He suggests they were votive offerings intended to appease the ocean following the occurrence of catastrophic marine floods. And last, but not least, Moshe Fischer, Alexander Fantalkin, Itamar Taxel, Liora Bouzaglou, and Oren Tal also study a maritime cult. They present an assemblage of clay boat models unearthed at Yavneh-Yam and discuss the boats’ possible function as votive objects and their implications for Phoenician maritime activities in the Mediterranean during the Persian and Hellenistic periods.The image that arises from these contributions and previous studies on Phoenician religion and cultic practices reveals a complex and ever-evolving system of beliefs, rituals, and practices that at the same time is rooted in a long-held shared Bronze Age Canaanite heritage. The authors demonstrate that at least some of the iconographic, religious, and cultic practices that the Phoenicians used and observed remained relevant across time and space. Furthermore, religion is not just a system of laws that guides a person through various life events, it is also a key factor in the formation of identity. The shared cult-related material culture that the Phoenicians display across the Mediterranean indicates that they also shared a common identity, which we today identify as Phoenician.","PeriodicalId":43115,"journal":{"name":"Journal of Eastern Mediterranean Archaeology and Heritage Studies","volume":null,"pages":null},"PeriodicalIF":0.6000,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Eastern Mediterranean Archaeology and Heritage Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/jeasmedarcherstu.11.2-3.0139","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
引用次数: 0

Abstract

The religion that the Phoenicians practiced is still largely unknown, mainly due to the dearth of original Phoenician written sources. The only canonical religious Phoenician text we know of, the creation myth, written in the sixth century BCE by Sanchuniathon, a priest from Beirut, is almost entirely lost to us. Only a few quotes were preserved in the writings of Eusebius of Caesarea (Praeparatio evangelica), dated to the fourth century CE, and to a lesser extent in Porphyry’s treaties (Adversus Christianos), dated to the third or fourth century CE. And none of these are direct quotes but instead are quotes from a heavily Hellenized Greek translation of the original text composed by another priest, Philo of Byblos, during the first century CE (Baumgarten 1981; Edwards 1991: 213; Markoe 2000: 119; Ribichini 2001: 121). However, even if this text had been better preserved, it would have been relevant only for a narrow chronological time frame within the long history of Phoenicia and the Phoenicians, since religion, like other aspects of human life, evolves and changes in accordance with the geopolitical reality. The situation becomes even more complex once the Phoenicians settle parts of the Mediterranean basin, coming into contact with new populations, cultures, and ideas, and a hybrid culture somewhat different from that of the homeland is formed. And although over six thousand Phoenician and Punic inscriptions from various periods were found over the years, the majority reveal little information about Phoenician religion other than names of deities, clients, and rituals (Clifford 1990: 55; Ribichini 2001: 120).When turning to exterior sources, the situation is seemingly far better. The Ugaritic mythological and ritualistic texts provide a solid base for the understanding of the Canaanite pantheon (Cross 1973; Pardee 2002), the Hebrew Bible offers useful information on the prominent deities in Phoenicia, and various classical authors provide us with a relatively abundant amount of information on Phoenician deities, rituals, and myths. However, we must remember that these texts are often both biased and anachronistic, and therefore we cannot rely on them too heavily (Clifford 1990: 55; Schoville 1998: 170–71).Fortunately, archaeology can help us fill in some of the blanks, and it provides us with an ever-growing database on Phoenician religion as it evolved throughout the ages, mainly through epigraphic evidence such as theophoric names and dedicatory inscriptions. The available evidence seems to indicate that during the first millennium BCE, the Bronze Age Canaanite pantheon narrowed significantly, and instead of an extended family of deities, the focus was on a divine triad or, more likely, a divine pair. According to Josephus (Contra Apionem 1.1.18), Hiram I built temples for Jupiter, Heracles, and Astarte in Tyre, who can be identified with El, Melqart, and Astarte, and yet unlike the latter two, El is hardly mentioned in Phoenicia.1 The far more common scheme in Phoenicia was of a divine pair consisting of a male and female deity, most often identified with Baal and Astarte. These deities assumed the role of patron of the city, its people, and, perhaps most importantly, the royal family (Edrey 2019: 141–42). Baal was also a “dying and rising” deity, which is another common theme in the mythologies of the ancient Near East likely signifying the cycle of nature (Clifford 1990: 57–58; Markoe 2000: 116–19). The shift in importance from the head of the pantheon to his offspring, which represented the state and the king, was a common practice in the first millennium BCE throughout the ancient Near East, with examples of deities such as Assur, Marduk, Horus, and Zeus (L’Heureux 1979: 71–108; van der Toorn 1995: 2046). This was also a common practice in the southern Levant as demonstrated by national gods such as Qos in Edom, Chemosh in Moab, or Milcom in Ammon (Block 2013). Such changes do not seem to stem from a profound theological revolution but rather manifest the sociopolitical reality of the age during which the Bronze Age political system of city-states gave way to nation states. A similar phenomenon occurred in Phoenicia: however, not on a national level but rather on the city-state level. At the beginning of the first millennium BCE, the cult of several divine pairs was institutionalized in the major Phoenician centers, such as Melqart and Astarte at Tyre, Eshmun and Astarte at Sidon, and Baal and Baalat Gebal at Byblos (Clifford 1990; Edrey 2019: 141–47). These seemingly distinct city-based pantheons led many scholars to argue that each Phoenician city-state followed its own system of beliefs, religious practices, festivals, and rituals (Gubel 2000: 204; Peckham 2001: 20; Woolmer 2011: 98). However, it is commonly accepted today that the unique deities worshipped in each Phoenician city-state are simply a localized manifestation of the same divine pair/triad, as reflected by their interchangeable names, similar attributes, and divine responsibilities, and that the Phoenicians shared a common system of beliefs that can be interpreted as a pan-Phoenician religion (Edrey 2019: 141–47). This view is reflected even more clearly in their cultic practices as they appear in the archaeological record. If archaeology can fill in some of the blanks of Phoenician religion, its contribution to the reconstruction of Phoenician cultic practices is far greater. Archaeology offers us insights into the practical sphere of Phoenician religion through its cult-related material culture, exhibited in sacred architecture, funerary practices, cultic paraphernalia, animal remains, and epigraphic evidence. But while religion represents an official system of beliefs maintained by an authority via a hierarchical clergy, at its top the king or other members of his family as high priests (KAI 14; Ackerman 2013), cultic practices can also represent popular elements influenced by various traditions that at times may directly contradict the laws of the religion. Unfortunately, artifacts and ecofacts frequently lack a broader context, which is where we must turn back to the written sources for a contextualized interpretation. Therefore, the study of Phoenician religion and its cultic practices, and any other aspect related to the Phoenicians, must draw from all the available sources.And this is exactly what the articles presented in this special double issue of JEMAHS demonstrate. They are an amalgam of the study of various cultic artifacts, iconographic, funerary, and epigraphic evidence, in the attempt to reconstruct the religious beliefs and cultic practices of the Phoenicians throughout various periods and across the Mediterranean world:The first article, presented by Hélène Sader deals with the contribution of archaeology to the understanding of Phoenician religion through a case study of standing stones that were found at Tell el-Burak and their possible connection to local industries. A similar find is discussed by Ann E. Killebrew in her article, which deals with a standing stone and other artifacts often associated with cult, found at Tel Akko and related to large-scale Phoenician iron smithing activities at the site during the Persian period. Ida Oggiano and Fabio Porzia present Persian-period figurines of the enthroned bearded man and his possible association to another popular figurine, the pregnant female, suggesting that they may be understood as a divine couple in what the authors refer to as an “open relationship.” Giuseppe Garbati also discusses divine relations between various Phoenician deities in the homeland and across the Phoenician Mediterranean. The Persian period is featured again in an article presented by the present author, which argues that certain changes in Phoenician religion and cult during the Persian period can be explained by Achaemenid / early Zoroastrian influences. Fanni Faegersten and Carolina Lopez-Ruiz discuss the volute motif in Phoenician art and iconography through various media, such as ivories, stone, and wood, and its symbolic meaning. Adriano Orsingher examines Levantine terracotta models dated to the seventh and sixth centuries BCE, identifies them as portable shrines, and compares them to similar examples from across the Mediterranean. He then explores their possible use in funerary rituals. Meritxell Ferrer and Mireia López-Bertran also deal with funerary rituals, exploring the use of bread and the sense of taste in the creation of the ephemeral community of mourners. Federica Spagnoli presents the results of the renewed Sapienza University excavations at the Ras il-Wardija Sanctuary at Gozo and its possible link to the cult place at Tas-Silġ and the goddess Astarte. Manuel Álvarez-Martí-Aguilar reviews the underwater deposition of Phoenician bronze figurines, dated between the eighth and seventh century BCE and found off the southwestern coasts of the Iberian Peninsula. He suggests they were votive offerings intended to appease the ocean following the occurrence of catastrophic marine floods. And last, but not least, Moshe Fischer, Alexander Fantalkin, Itamar Taxel, Liora Bouzaglou, and Oren Tal also study a maritime cult. They present an assemblage of clay boat models unearthed at Yavneh-Yam and discuss the boats’ possible function as votive objects and their implications for Phoenician maritime activities in the Mediterranean during the Persian and Hellenistic periods.The image that arises from these contributions and previous studies on Phoenician religion and cultic practices reveals a complex and ever-evolving system of beliefs, rituals, and practices that at the same time is rooted in a long-held shared Bronze Age Canaanite heritage. The authors demonstrate that at least some of the iconographic, religious, and cultic practices that the Phoenicians used and observed remained relevant across time and space. Furthermore, religion is not just a system of laws that guides a person through various life events, it is also a key factor in the formation of identity. The shared cult-related material culture that the Phoenicians display across the Mediterranean indicates that they also shared a common identity, which we today identify as Phoenician.
简介:横跨地中海的腓尼基宗教和邪教
然而,今天人们普遍认为,每个腓尼基城邦中崇拜的独特神灵只是同一神对/三位一体的局部表现,这反映在他们可互换的名字、相似的属性和神圣的责任上,腓尼基人有一个共同的信仰体系,可以被解释为泛腓尼基宗教(Edrey 2019: 141-47)。这种观点在他们的宗教活动中得到了更清晰的反映,因为他们出现在考古记录中。如果考古学可以填补腓尼基宗教的一些空白,那么它对重建腓尼基人的宗教习俗的贡献要大得多。考古学通过其与邪教相关的物质文化为我们提供了对腓尼基宗教实践领域的深入了解,这些文化表现在神圣建筑、丧葬习俗、邪教用具、动物遗骸和碑文证据中。但是,虽然宗教代表了一种官方的信仰体系,由权威机构通过等级森严的神职人员维持,但在其顶端,国王或他的其他家庭成员是大祭司(KAI 14;Ackerman 2013),邪教习俗也可以代表受各种传统影响的流行元素,这些传统有时可能直接与宗教的法律相矛盾。不幸的是,人工制品和生态事实往往缺乏更广泛的背景,这就是我们必须回到书面来源的上下文化解释。因此,研究腓尼基人的宗教及其崇拜习俗,以及与腓尼基人有关的任何其他方面,必须从所有可用的来源中汲取。而这正是本期《JEMAHS》特刊所呈现的文章所展示的。它们是对各种宗教器物、肖像、丧葬和铭文证据的综合研究,试图重建腓尼基人在各个时期和整个地中海世界的宗教信仰和宗教习俗。h<s:1> l<e:1>·萨德尔(h<s:1> l<e:1> Sader)通过对在Tell el-Burak发现的立石的案例研究,以及它们与当地工业的可能联系,探讨了考古学对理解腓尼基宗教的贡献。Ann E. Killebrew在她的文章中讨论了一个类似的发现,该发现涉及在Tel Akko发现的一块站立的石头和其他通常与邪教有关的文物,并与波斯时期在该遗址进行的大规模腓尼基铁器锻造活动有关。Ida Oggiano和Fabio Porzia展示了波斯时期的大胡子男子雕像,以及他与另一个受欢迎的雕像——怀孕的女性——的可能联系,这表明他们可能被理解为一对神圣的夫妇,作者称之为“开放的关系”。朱塞佩·加尔巴蒂还讨论了家乡和腓尼基地中海地区各种腓尼基神之间的神圣关系。波斯时期再次出现在本文作者的一篇文章中,文章认为波斯时期腓尼基宗教和崇拜的某些变化可以通过阿契美尼德/早期琐罗亚斯德教的影响来解释。Fanni Faegersten和Carolina Lopez-Ruiz通过各种媒介(如象牙、石头和木材)讨论了腓尼基艺术和肖像学中的volute主题及其象征意义。阿德里亚诺·奥辛格(Adriano Orsingher)研究了公元前七世纪和六世纪的黎凡特兵马俑模型,认为它们是可移动的神龛,并将它们与地中海地区的类似例子进行了比较。然后,他探索了它们在葬礼仪式中的可能用途。Meritxell Ferrer和Mireia López-Bertran也涉及葬礼仪式,探索面包的使用和在短暂的哀悼者社区创造中的味觉。Federica Spagnoli介绍了Sapienza大学在戈佐岛Ras il-Wardija圣殿的新挖掘结果,以及它与塔斯- silki的邪教场所和女神Astarte的可能联系。曼纽尔Álvarez-Martí-Aguilar回顾了腓尼基青铜雕像的水下沉积,这些雕像的年代在公元前8世纪到7世纪之间,是在伊比利亚半岛西南海岸发现的。他认为,它们是在灾难性的海洋洪水发生后,为了安抚海洋而献上的祭品。最后,但并非最不重要的是,Moshe Fischer, Alexander Fantalkin, Itamar Taxel, Liora Bouzaglou和Oren Tal也在研究海上邪教。他们展示了在Yavneh-Yam出土的一组粘土船模型,并讨论了这些船作为祭品的可能功能,以及它们对波斯和希腊化时期腓尼基人在地中海的海上活动的影响。从这些贡献和先前对腓尼基宗教和邪教习俗的研究中产生的图像揭示了一个复杂且不断发展的信仰、仪式和习俗系统,同时植根于长期共享的青铜时代迦南遗产。 作者证明,至少有一些腓尼基人使用和观察的肖像、宗教和崇拜习俗在时间和空间上仍然相关。此外,宗教不仅仅是一套指导人们度过各种生活事件的法律体系,它也是形成身份的关键因素。腓尼基人在地中海展示的与邪教相关的共同物质文化表明,他们也有一个共同的身份,我们今天称之为腓尼基人。
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来源期刊
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期刊介绍: Journal of Eastern Mediterranean Archaeology and Heritage Studies (JEMAHS) is a peer-reviewed journal devoted to traditional, anthropological, social, and applied archaeologies of the Eastern Mediterranean, encompassing both prehistoric and historic periods. The journal’s geographic range spans three continents and brings together, as no academic periodical has done before, the archaeologies of Greece and the Aegean, Anatolia, the Levant, Cyprus, Egypt and North Africa. As the publication will not be identified with any particular archaeological discipline, the editors invite articles from all varieties of professionals who work on the past cultures of the modern countries bordering the Eastern Mediterranean Sea. Similarly, a broad range of topics are covered, including, but by no means limited to: Excavation and survey field results; Landscape archaeology and GIS; Underwater archaeology; Archaeological sciences and archaeometry; Material culture studies; Ethnoarchaeology; Social archaeology; Conservation and heritage studies; Cultural heritage management; Sustainable tourism development; and New technologies/virtual reality.
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