{"title":"Beyond “Volute Capitals”: Materials, Meaning, and Adaptations of a Phoenician Motif","authors":"Fanni Faegersten, Carolina López-Ruiz","doi":"10.5325/jeasmedarcherstu.11.2-3.0229","DOIUrl":null,"url":null,"abstract":"ABSTRACT The stylized volute motif is attested throughout the Levant and in areas of Phoenician settlement or cultural influence. Much of the debate of this motif has focused on the volute’s appearance in Israelite monumental architecture (the so-called Proto-Aeolic capital). This article provides a fresh discussion of the motif’s depiction within Phoenician art and iconography through various media, including ivory and sculpture. The architectural versions in stone derive from a much larger repertoire in portable media and in wood, which included inlaying techniques and color patterns not easily transferable into stone. This essay stresses the symbolic meaning of the volute motif and its adaptability by other Mediterranean cultures, from Israel and Cyprus to Iberia. The volute, moreover, has the quality of an otherworldly hybrid entity, strongly associated with hybrid creatures and other stylized vegetal motifs invoking eternal regeneration, which explains the use of the motif in funerary and sacred contexts.","PeriodicalId":43115,"journal":{"name":"Journal of Eastern Mediterranean Archaeology and Heritage Studies","volume":null,"pages":null},"PeriodicalIF":0.6000,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Eastern Mediterranean Archaeology and Heritage Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/jeasmedarcherstu.11.2-3.0229","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT The stylized volute motif is attested throughout the Levant and in areas of Phoenician settlement or cultural influence. Much of the debate of this motif has focused on the volute’s appearance in Israelite monumental architecture (the so-called Proto-Aeolic capital). This article provides a fresh discussion of the motif’s depiction within Phoenician art and iconography through various media, including ivory and sculpture. The architectural versions in stone derive from a much larger repertoire in portable media and in wood, which included inlaying techniques and color patterns not easily transferable into stone. This essay stresses the symbolic meaning of the volute motif and its adaptability by other Mediterranean cultures, from Israel and Cyprus to Iberia. The volute, moreover, has the quality of an otherworldly hybrid entity, strongly associated with hybrid creatures and other stylized vegetal motifs invoking eternal regeneration, which explains the use of the motif in funerary and sacred contexts.
期刊介绍:
Journal of Eastern Mediterranean Archaeology and Heritage Studies (JEMAHS) is a peer-reviewed journal devoted to traditional, anthropological, social, and applied archaeologies of the Eastern Mediterranean, encompassing both prehistoric and historic periods. The journal’s geographic range spans three continents and brings together, as no academic periodical has done before, the archaeologies of Greece and the Aegean, Anatolia, the Levant, Cyprus, Egypt and North Africa. As the publication will not be identified with any particular archaeological discipline, the editors invite articles from all varieties of professionals who work on the past cultures of the modern countries bordering the Eastern Mediterranean Sea. Similarly, a broad range of topics are covered, including, but by no means limited to: Excavation and survey field results; Landscape archaeology and GIS; Underwater archaeology; Archaeological sciences and archaeometry; Material culture studies; Ethnoarchaeology; Social archaeology; Conservation and heritage studies; Cultural heritage management; Sustainable tourism development; and New technologies/virtual reality.