Specifics of Sound Effects in Feature Films

Abstract

The purpose of the article is to analyze the specifics of sound effects used in feature films, to identify methods of using various variations of sounds in cinema, to clarify the process of creating sound effects and to trace the development of historical trends in the field of creating sounds for cinema, as well as to predict the specifics of sound effects development in feature films in the future. Research Methodology. The following methods were used: theoretical – to study sound effects in feature films, to study various scientific and practical recommendations for working with sound; empirical – to use the acquired knowledge through personal experience; analytical – to search for the interaction of sound with a person; analysis and synthesis, as well as the method of observation. Scientific novelty. For the first time, the specifics of sound effects in feature films have been studied using a retrospective view of the phenomenality of the object and its further progression, and the specifics of sound effects used in feature films have been analyzed. The study reveals specific aspects of the transformation of sound and sound effects through the use of different variations of sounds that can be used in feature films in the future. Conclusions. The article analyses the specifics of sound effects used in fiction films. The usage specificity of different variations of sounds has been determined, and the peculiarities of the sound effects creation process have been revealed using the method of observation and analytical conclusion. A unique role in the study was played by identifying the historical aspects of sound effects usage in feature films, which became possible by tracing the development of historical trends and directing the vector of the research field to the projection of the future.