THEME OF THE WAR IN FINE ARTS: PECULIARITY OF HISTORICAL AND CULTURAL TRANSFORMATIONS

Svitlana Stoian
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Abstract

The article analyzes the cultural and historical transformations of the nature of the depiction of the theme of war in fine art. It is noted that art has always responded to changes in worldview paradigms and reflected core value principles of various historical periods of human development. The emphasis of depicting the essence of the war changed from the fixation of specific events that took place in real life to the depiction of generalized metaphorical images with the participation of mythological characters that had no relation to reality and vice versa. In addition, fine art also served as a channel for the sublimation of the psychological experiences of artists who expressed their experiences related to the war through their own works. Thanks to this, powerful ingenious works of art, the relevance of which does not decrease even after several centuries, were created. The article provides a comparative analysis of the nature of the depiction of war in the art of ancient civilizations, antiquity, the Middle Ages, the Renaissance, baroque, rococo, classicism, romanticism, avant-garde art of the beginning of the 20th century, Soviet totalitarian practice as well as in modern Ukrainian art. Thanks to the research conducted, the essence and nature of the transformations, that took place in these periods, are visualized, and the direct correlation of these changes with the state and nature of culture is highlighted. Special attention is paid to the analysis of the visualization of the theme of war in the Ukrainian fine art of the totalitarian era as well as in modern art. It is noted that Ukrainian artists had creative resistance to totalitarian ideology. This was manifested in the demonstration of the tragic side of war, existential experiences, awareness of the irreversibility of death and the suffering associated with it. Attention is focused on the fact that the topic of the relationship between art and war in the context of cultural studies is rather understudied but in the context of recent occurrences in Ukraine and the world it is gaining more and more popularity, drawing attention of researchers to the analysis of these mutual influences.
美术中的战争主题:历史文化转型的特殊性
文章分析了美术作品中战争题材描写性质的文化和历史变迁。需要指出的是,艺术始终回应着世界观范式的变化,反映着人类发展各个历史时期的核心价值原则。描写战争本质的重点从对现实生活中发生的具体事件的固定到对与现实无关的神话人物参与的广义隐喻形象的描述,反之亦然。此外,美术也是艺术家心理体验升华的渠道,他们通过自己的作品来表达与战争相关的体验。多亏了这一点,才有了强大而巧妙的艺术作品,它们的相关性即使在几个世纪之后也不会减弱。本文对古代文明、古代、中世纪、文艺复兴、巴洛克、洛可可、古典主义、浪漫主义、20世纪初的前卫艺术、苏联极权主义实践以及现代乌克兰艺术中对战争的描绘的性质进行了比较分析。通过研究,这些时期发生的转变的本质和性质得以可视化,这些变化与文化的状态和性质的直接关联得到了突出。特别注意的是在极权主义时代的乌克兰美术以及现代艺术的战争主题的可视化分析。值得注意的是,乌克兰艺术家对极权主义意识形态进行了创造性的抵抗。这表现在对战争的悲剧性、生存经验、对死亡的不可逆转性和与之相关的痛苦的认识等方面。人们的注意力集中在这样一个事实上,即在文化研究的背景下,艺术与战争之间的关系这一主题的研究相当不足,但在乌克兰和世界最近发生的事件的背景下,这一主题越来越受欢迎,引起了研究人员对这些相互影响的分析的注意。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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