The linguistic elaboration and philosophical-ideological potential of Ingeborg Bachmann's works

Olha Tiahovska, Vita Hamaniuk
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引用次数: 0

Abstract

The article examines the creative work of the famous twentieth century writer Ingeborg Bachmann. Various influences (philosophy, music, literature, personal life) on the formation of the writer's worldview, on her artistic style, on the way of reflecting her philosophical views and worldview in various genres: lyrics ("Die gestundete Zeit"), radio plays ("Der gute Gott von Manhatten") and novels ("Malina") are considered. The role of philosophy and the study of the scientific achievements of Wittgenstein and Heidegger in the formation of Bachmanns philosophical views and worldview, the influence of art (music and literature) on her creative path are analyzed. The attention is also paid to Bachmann's personal contacts with representatives of "Group 47", with writers P. Celan, M. Frisch, personal relationships with which significantly affected her life and her work, many facts of contacts with which are mentioned in the texts of the writer. Peculiarities of linguistic representation of Bachmann's worldview in her works by means of lexical, syntactic, graphic means are analyzed and shown on the material of texts.
英格博格·巴赫曼作品的语言精雕细琢和哲学意识形态潜能
本文考察了20世纪著名作家英格博格·巴赫曼的创作。各种影响(哲学,音乐,文学,个人生活)对作家世界观的形成,对她的艺术风格,对她的哲学观点和世界观在各种类型的反映方式:歌词(“Die gestunderte Zeit”),广播剧(“Der gute Gott von Manhatten”)和小说(“Malina”)进行了考虑。本文分析了哲学在巴赫曼的哲学观和世界观形成中的作用以及对维特根斯坦和海德格尔的科学成就的研究,以及艺术(音乐和文学)对巴赫曼创作路径的影响。还注意到巴赫曼与“47组”代表、作家P. Celan、M. Frisch的私人接触,这种私人关系对她的生活和工作产生了重大影响,作者的文本中提到了许多与之接触的事实。从词汇、句法、图形等方面分析巴赫曼世界观在其作品中的语言表征特点,并在文本材料上加以体现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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