Reconnecting to the Great Civilisation: The Strategy of Revitalising the Hakka Unicorn Dance in Hong Kong’s Hang Hau through the Intangible Cultural Heritage System

IF 1.4 3区 社会学 Q1 AREA STUDIES
Tik-sang Liu
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Abstract

The Hakka unicorn dance, with reference to mythical animals in the great Chinese tradition, was developed by the Hakka people in Guangdong for religious and societal purposes. This dancing tradition was brought by Hakka migrants to Hong Kong in the eighteenth century. Most Hakka villages established their own unicorn dance troupes to serve the needs of their local village communities. Since the 1960s, however, this local tradition has been under the threat of vanishing due to the loss of young players and the rapid urbanisation process. With the Hakka unicorn dance in Hang Hau, Hong Kong, being named as an item on the Chinese national list of intangible cultural heritage in 2014, an opportunity to conserve the unicorn dance became available to the villagers. In the process of revitalisation, the Hakka villagers emphasised the authentic cultural meanings of their unicorn dance and defined their tradition as an inherently Chinese one that aligned with the national framework.
重新连结伟大文明:透过非物质文化遗产系统活化香港坑口客家独角兽舞蹈的策略
客家独角兽舞蹈是广东客家人出于宗教和社会目的而发展起来的,参照了中国伟大传统中的神话动物。这种舞蹈传统是在十八世纪由客家移民带到香港的。大多数客家村庄都建立了自己的独角兽舞蹈团,以满足当地村庄社区的需求。然而,自20世纪60年代以来,由于年轻球员的流失和快速的城市化进程,这种地方传统正面临消失的威胁。2014年,香港坑口客家独角兽舞蹈被列入中国国家非物质文化遗产名录,村民们有机会保护独角兽舞蹈。在振兴过程中,客家村民强调独角兽舞的真实文化意义,并将其定义为符合国家框架的固有中国传统。
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来源期刊
China Perspectives
China Perspectives AREA STUDIES-
CiteScore
1.70
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0.00%
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37
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