Thinking in Public: Whom are intellectuals writing for?

IF 0.3 4区 文学 0 LITERARY REVIEWS
Becca Rothfeld
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[End Page 5] The book annoyed me in all the ways I thought it would: its engagement with intellectual history was facile (\"many of history's great minds not only understood Stoicism for what it truly is, they sought it out\"), and its reduction of Stoic doctrine to a series of slogans was grating (\"you don't control the situation, but you control what you think about it\"). But what was most irksome was the sheer smirking quality of its tone. Holiday writes in a cooing, coaxing mode usually reserved for standoffs with obstinate children. \"Could these ancient and obscure pages really contain anything relevant to modern life?\" he asks. \"The answer, it turns out, is yes.\" Later, he explains that he and his co—author \"sought to organize and present the vast collective wisdom of the Stoics into as digestible, accessible, and coherent a form as possible…for the busy and active reader, we have attempted to produce a daily devotional that is as functional and to the point as the philosophers behind it.\" The problem is not that the book's stated aspirations—making Stoicism \"something one uses to live a great life, rather than some esoteric field of academic inquiry\"—are unworthy. The humanities are too often treated as the preserve of tweedy specialists, and they ought to speak more clearly (and more enjoyably) to life on the ground. But Holiday's execution conflicts with his intentions: To write as if your audience is made up of your intellectual inferiors, as he does, is not to make philosophy \"accessible,\" but rather to render it, however inadvertently, snobbish and alienating. I cannot help resenting the assumption that I am incapable of appreciating ancient philosophy on my own, or the suggestion that I could only ever savor the complex flavors of the primary sources if they were converted into snackable nuggets. The guiding premise of The Daily Stoic is that its readers are not peers but pupils. Holiday's patronizing style may be particularly craven, but it is not unusual. As Mark Greif observed in an unforgettable essay in The Chronicle Review in 2015, condescension is widespread among public intellectuals. The problems Greif encountered when he invited junior academics to write for n+1, the literary magazine he helped found in 2004, \"were absolutely not those of academic [End Page 6] stereotype—not esotericism, specialization, jargon, the 'inability' to address a nonacademic audience.\" Instead, the embarrassing truth was rather the opposite. When these brilliant people contemplated writing for the \"public,\" it seemed they merrily left difficulty at home, leapt into colloquial language with both feet, added unnatural (and frankly unfunny) jokes, talked about TV, took on a tone chummy and unctuous. They dumbed down, in short—even with the most innocent intentions. The public, even the \"general reader,\" seemed to mean someone less adept, ingenious, and critical than themselves. Writing for the public awakened the slang of mass media. The public signified fun, frothy, friendly. If the academic humanities too often address only siloed experts, then pop philosophy too often addresses an audience of imagined idiots. And condescension is an especially risky vice for public intellectuals, because it conflicts with the very practice of public thinking. ________ hannah arendt, who wrote wonderfully for both the academy and the public, made many claims about thinking, but for my purposes, two are central. 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引用次数: 0

Abstract

Thinking in PublicWhom are intellectuals writing for? Becca Rothfeld (bio) Afew months ago, I was working on an essay about mindfulness and other schools of uplift, and I found myself in the unenviable position of thumbing through a number of books by the motivational writer and "thought leader" Ryan Holiday. It turns out that there are many of these, including several tracts on public relations that Holiday wrote before his turn to guruism. My project was about Stoicism, not corporate publicity, so I was spared Growth Hacker Marketing: A Primer on the Future of PR, Marketing, and Advertising. But I could not dodge The Daily Stoic: 366 Meditations on Wisdom, Perseverance, and the Art of Living. [End Page 5] The book annoyed me in all the ways I thought it would: its engagement with intellectual history was facile ("many of history's great minds not only understood Stoicism for what it truly is, they sought it out"), and its reduction of Stoic doctrine to a series of slogans was grating ("you don't control the situation, but you control what you think about it"). But what was most irksome was the sheer smirking quality of its tone. Holiday writes in a cooing, coaxing mode usually reserved for standoffs with obstinate children. "Could these ancient and obscure pages really contain anything relevant to modern life?" he asks. "The answer, it turns out, is yes." Later, he explains that he and his co—author "sought to organize and present the vast collective wisdom of the Stoics into as digestible, accessible, and coherent a form as possible…for the busy and active reader, we have attempted to produce a daily devotional that is as functional and to the point as the philosophers behind it." The problem is not that the book's stated aspirations—making Stoicism "something one uses to live a great life, rather than some esoteric field of academic inquiry"—are unworthy. The humanities are too often treated as the preserve of tweedy specialists, and they ought to speak more clearly (and more enjoyably) to life on the ground. But Holiday's execution conflicts with his intentions: To write as if your audience is made up of your intellectual inferiors, as he does, is not to make philosophy "accessible," but rather to render it, however inadvertently, snobbish and alienating. I cannot help resenting the assumption that I am incapable of appreciating ancient philosophy on my own, or the suggestion that I could only ever savor the complex flavors of the primary sources if they were converted into snackable nuggets. The guiding premise of The Daily Stoic is that its readers are not peers but pupils. Holiday's patronizing style may be particularly craven, but it is not unusual. As Mark Greif observed in an unforgettable essay in The Chronicle Review in 2015, condescension is widespread among public intellectuals. The problems Greif encountered when he invited junior academics to write for n+1, the literary magazine he helped found in 2004, "were absolutely not those of academic [End Page 6] stereotype—not esotericism, specialization, jargon, the 'inability' to address a nonacademic audience." Instead, the embarrassing truth was rather the opposite. When these brilliant people contemplated writing for the "public," it seemed they merrily left difficulty at home, leapt into colloquial language with both feet, added unnatural (and frankly unfunny) jokes, talked about TV, took on a tone chummy and unctuous. They dumbed down, in short—even with the most innocent intentions. The public, even the "general reader," seemed to mean someone less adept, ingenious, and critical than themselves. Writing for the public awakened the slang of mass media. The public signified fun, frothy, friendly. If the academic humanities too often address only siloed experts, then pop philosophy too often addresses an audience of imagined idiots. And condescension is an especially risky vice for public intellectuals, because it conflicts with the very practice of public thinking. ________ hannah arendt, who wrote wonderfully for both the academy and the public, made many claims about thinking, but for my purposes, two are central. First, in a lecture series published in Social Research in 1971, she claims that thinking is "resultless by nature": instead...
公共思考:知识分子为谁写作?
公共思考知识分子为谁写作?几个月前,我正在写一篇关于正念和其他提升学派的文章,我发现自己处于一个不令人羡慕的位置,翻阅了励志作家和“思想领袖”瑞安·霍利迪(Ryan Holiday)的许多书。事实证明,这样的书有很多,包括霍乐迪在成为大师之前写的几本关于公共关系的小册子。我的项目是关于禁欲主义的,而不是企业宣传,所以我没有读《成长黑客营销:公关、营销和广告的未来入门》。但我无法回避《每日斯多葛派:关于智慧、毅力和生活艺术的366次冥想》。这本书以我所认为的所有方式惹恼了我:它对思想史的参与是肤浅的(“许多历史上伟大的思想家不仅理解了斯多葛主义的真正含义,他们还寻找了它”),它把斯多葛主义的教义简化为一系列口号(“你不能控制局势,但你可以控制你对它的看法”),这令人恼火。但最让人讨厌的是他那纯粹傻笑的语气。霍乐迪用一种温柔、哄哄的方式写作,这种方式通常只在与固执的孩子对峙时才会出现。“这些古老而晦涩的页面真的能包含与现代生活相关的东西吗?”他问道。“答案是肯定的。”后来,他解释说,他和他的合著者“试图将斯多葛派的大量集体智慧组织起来,并以一种尽可能容易理解、易于理解和连贯的形式呈现……对于忙碌而活跃的读者来说,我们试图制作一份日常灵修,它与背后的哲学家一样实用,一样切中主题。”问题不在于这本书所表达的愿望——使斯多葛主义成为“一个人用来过伟大生活的东西,而不是一些深奥的学术研究领域”——是不值得的。人文学科常常被视为粗花大草的专家的领地,他们应该更清楚(也更愉快)地讲述实地生活。但霍乐迪的执行方式与他的意图相冲突:像他那样,把你的读者当成智力不如你的人来写作,并不是要让哲学变得“容易理解”,而是让它变得势利和疏远,尽管这是无心之失。有人说我无法独自欣赏古代哲学,有人说我只能品尝到原始来源的复杂味道,如果它们被转化为可食用的鸡块,我不禁感到厌恶。《斯多葛派日报》的指导前提是,它的读者不是同龄人,而是学生。霍乐迪傲慢的风格可能特别懦弱,但这并不罕见。马克·格雷夫(Mark Greif) 2015年在《纪事评论》(The Chronicle Review)上发表的一篇令人难忘的文章中指出,公共知识分子中普遍存在优越感。2004年,格雷夫参与创办了一本文学杂志《n+1》,当他邀请年轻学者为该杂志撰稿时,他遇到的问题“绝对不是学术上的刻板印象——不是晦涩难懂、专业化、行话,也不是‘无法’向非学术读者发表意见。”相反,令人尴尬的事实恰恰相反。当这些才华横溢的人考虑为“公众”写作时,他们似乎很高兴地把困难留在家里,用两只脚跳跃到口语中,添加不自然的(坦率地说不有趣的)笑话,谈论电视,用一种友好而虚伪的语气。简而言之,他们变得愚蠢了——即使是出于最无辜的意图。公众,甚至是“普通读者”,似乎指的是那些不如他们自己熟练、有独创性和有批判性的人。为大众写作唤醒了大众传媒的俚语。公众意味着有趣、热情和友好。如果说学术人文学科常常只针对孤立的专家,那么通俗哲学则常常针对一群想象中的白痴听众。对公共知识分子来说,居高临下是一种特别危险的恶习,因为它与公共思维的实践相冲突。________汉娜·阿伦特(Hannah arendt)为学术界和公众都写了精彩的文章,她提出了许多关于思考的主张,但就我的目的而言,有两点是最重要的。首先,在1971年发表在《社会研究》(Social Research)上的一系列讲座中,她声称思维“本质上是没有结果的”:相反……
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YALE REVIEW
YALE REVIEW LITERARY REVIEWS-
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