Testament

IF 0.1 4区 文学 0 LITERARY REVIEWS
Orlando Ricardo Menes
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Abstract

Testament Orlando Ricardo Menes (bio) in memory of hart crane Far from the wilds of python roots and those air plantslike the monstrous octopi that doomed the galleons,Hart straggles into his little garden by the seaand falls under the spell of mimosas to find a parchment leaf,clusia rosea, to inscribe the words roiling in his mind,as castaways once scrawled their prayers—perhaps a new poemabout the Cuba that makes his body sweat with desireor fear or both in those sweltering nights beneath the mosquito net.What had brought the poet to this island, anyway?To live cheaply and have plenty of time to write?Perhaps something much more Romantic, sexy, like dreamingof sailor boys with cinnamon breath and peachy skinwho fuck him singing sea chanteys in jasmine fogthick as clotted cream? Or that molasses sunsetthat jolted him to think of New England's emerald hillsrather than this island, so much the bastard girlof a failed empire and the concubine of chaos,bewitching with her Circean smells of Spanish roseand African lily and that to stay whole and sanea full-blooded American must flee those vapors and huesthat mire a civilized mind with a wantonnessimpervious to any reason or decorous discipline,as if an English garden were mobbed by marabú weeds.So treasonous are the tropics, he'd heard a Dutch ensignsay in a sawdust bar by the wharf of sighs,that any man of sense should avoid this island's [End Page 31] womanly seas fuming the shore with the spumeof love betrayed not so much as in a man but a child,a boy too young to understand the volatile heart,and Hart then remembered his own mother, whose affectionscould go from warm to scalding in an instantas these inconstant waters of a tropics too close to the sun,and he felt trapped as never before in memoriesof possession in a house ruled by his mother's moodsthat no alcohol could assuage or poem trick to art. [End Page 32] Orlando Ricardo Menes orlando ricardo menes is an NEA Fellow and the author of seven poetry collections, including The Gospel of Wildflowers & Weeds. He is a professor of English at the University of Notre Dame. Copyright © 2023 Yale University
证明
哈特远离野生的蟒蛇根和那些使帆船注定失败的巨大章鱼之类的空气植物,他踉踉跄跄地走进海边的小花园,在含羞草的魔力下找到了一片羊皮纸叶子,玫瑰草,把在他脑海里翻腾的字句写下来,就像漂流者曾经潦草地写下他们的祈祷一样——也许是一首关于古巴的新诗,在那些蚊帐下闷热的夜晚,这首诗让他的身体因欲望或恐惧而出汗,或者两者兼而有之。到底是什么把诗人带到这个岛上来的?生活节俭,有足够的时间写作?也许是一些更浪漫、更性感的东西,比如梦到有着肉桂味气息和桃红色皮肤的水手男孩,他们在像凝霜一样浓的茉莉花雾中唱着海上圣歌和他做爱?还有那糖浆般的夕阳,使他想起了新英格兰的绿宝石山,而不是这个岛,那是一个没落帝国的私生子,是混乱的妃子,她那西班牙玫瑰和非洲百合的Circean气味使人着迷,为了保持完整和清醒,一个纯种的美国人必须逃离那些烟雾和色彩,这些烟雾和色彩使一个文明的头脑陷入泥潭,放荡不羁,不顾任何理由或礼仪,仿佛一个英国花园里长满了marabú杂草。热带是如此的叛逆,他听到一个荷兰少尉在叹息码头旁的木屑酒吧里说,任何有理智的人都应该避开这个岛的女人的海洋,因为爱情被背叛的泡沫弥漫在海岸上,与其说是男人,不如是一个孩子,一个太小的男孩,不了解喜怒无常的心,然后哈特想起了他自己的母亲,在离太阳太近的热带地区,他的感情会在瞬间从温暖变成灼热,他感到自己从未像现在这样被困在一个由母亲的情绪控制的房子里,这种情绪是酒精无法缓和的,诗歌也无法驾驭艺术。奥兰多·里卡多·梅内斯是NEA会员,著有七本诗集,包括《野花与野草的福音》。他是圣母大学的英语教授。版权所有©2023耶鲁大学
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YALE REVIEW
YALE REVIEW LITERARY REVIEWS-
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