The study of children’s drawing as a phenomenon of artistic culture

Natalia N. Fomina
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Abstract

Background. Currently, there is a contradiction between the high guidelines of psychological and pedagogical science for the creative development of each student in the lessons of art disciplines and the traditional academic orientation of art curricula. It raises questions about the orientation of children to participate in competitions that require mental stress from the child, are held within a time frame for which it is impossible to create a meaningful work worthy of the author who is a subject of culture. The solution to the problem should be sought in referring to the historical experience of art pedagogy, when creativity of children was studied as a phenomenon of artistic culture, while the child was perceived as a participant in the cultural process. Objective. The aim is to reveal the method of studying children's drawing as a phenomenon of artistic culture. This method has been tested and reflected in scientific research and the results of children's artistic creativity during the period between years 1910 and 1920. Methods. Analysis of psychological, pedagogical and cultural literature on the problem, comparative comprehensive analysis of the results of artistic education and methodological documents. Results. The psychological and pedagogical value is shown. The collection of children's drawings formed by A.V. Bakushinsky and his colleagues during their work at the State Academy of Art Sciences (1921–1929), which is now part of the International Collection of Children’s Drawings of the Institute of Art Education and Cultural Studies of RAE, as part of his psychological and pedagogical heritage, is introduced into scientific circulation. The methods of systematization, description, study of children's creativity, analysis and generalization of the results of artistic development from the standpoint of artistic culture, psychology and pedagogy of his time are revealed. Conclusion. The research of A.V. Bakushinsky and his students represents an ideal model of a scientifically based system of aesthetic education aimed at development of an artistic culture of a person capable of creative invention in the field of a chosen area.
儿童绘画作为一种艺术文化现象的研究
背景。目前,在艺术学科课程中,心理学和教育学对每个学生创造性发展的高度指导与传统的艺术课程学术取向之间存在着矛盾。它提出了关于儿童参加竞赛的方向的问题,这些竞赛需要儿童的精神压力,在一个时间框架内举行,不可能创造出值得作为文化主题的作者的有意义的作品。要解决这一问题,应参考艺术教育学的历史经验,将儿童的创造力作为一种艺术文化现象加以研究,同时将儿童视为文化过程的参与者。目标。旨在揭示儿童绘画作为一种艺术文化现象的研究方法。这种方法在1910年至1920年期间的科学研究和儿童艺术创造力的结果中得到了检验和反映。方法。分析了心理学、教育学和文化方面的文献问题,比较综合分析了艺术教育的成果和方法论文献。结果。显示出心理和教学价值。由A.V. Bakushinsky和他的同事在国家艺术科学院(1921-1929)工作期间形成的儿童绘画作品集,现在是RAE艺术教育和文化研究所国际儿童绘画作品集的一部分,作为他的心理和教学遗产的一部分,被引入科学流通。从艺术文化、心理学和教育学的角度对儿童创造力进行系统化、描述和研究,对艺术发展成果进行分析和概括。结论。巴库辛斯基和他的学生们的研究代表了一个以科学为基础的审美教育体系的理想模式,其目的是培养一个在选定领域内具有创造性发明能力的人的艺术文化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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