Notes on Psychodramatic Treatment of a Person with Schizophrenia
IF 2.6
0 PHILOSOPHY
Jonathan D. Moreno
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引用次数: 0
Abstract
Notes on Psychodramatic Treatment of a Person with Schizophrenia Jonathan D. Moreno, PhD (bio) I have enjoyed reflecting on Mr. Chapy’s account of work in psychodrama with a patient with schizophrenia. Although at one time many years ago I was interested in phenomenological psychiatry, and especially the writings of Ludwig Binswanger and Medard Boss, I am not an authority on dasein-analysis, so I have nothing to add to the discussion. I should say, however, that my father had little interest in this approach, which was far too abstract for his taste. He proceeded from the standpoint of the theater, of action and enactment. He believed that the drama itself provided the insight. For the purposes of this response, I take it as a given that the patient in question has been accurately diagnosed, although in the description of the scene with his father he does not exhibit the usual symptoms, such as auditory hallucinations. People with schizophrenia often find it difficult to manage the voices they are hearing without substantial preparation for a psychodrama. According to psychodramatic method, one way to prepare them is to externalize the voices, allowing a different therapist to take the role of each one as the protagonist instructs them how to play that role. Chair may be set up so that each “voice,” personified by an auxiliary ego, can sit in each chair in an array. This preparation may require a number of sessions. If the scene is to be enacted with a significant other, like the father in this instance, the patient may not be able to warm up to a direct encounter, especially with all the different voices competing for his internal attention. So he may be directed to observe each voice in the encounter with his father, preferably played by a therapist of his choosing and trained for the role, usually by giving the father-player certain lines so that they can learn something about the father and the way he addresses his son. Or consider the patient whose illness manifests itself as delusions, often of a megalomaniac character. They may be a messiah, for example, or the rightful heir of a royal line whose identity is being suppressed by governmental forces. The patient might be invited to choose key therapists to play the roles of key members of their circle, [End Page 225] enacting critical scenes like the sermon on the mount or speeches to their oppressed followers. In this way the patient’s “act hunger” may be to some degree satiated and have a calming effect on their anxiety and irritation with the frustrating world around them that refuses to accept their “authentic” identity and belief system. In these ways, psychodrama therapy can take advantage of one of the remarkable advantages of this method for such patients, who are generally recalcitrant to talk therapy alone and for whom medication is at best modestly effective. Still, these disorders are among the most challenging for psychotherapists. Although the process of treating them may open up insights into the nature of the human mind, as Chapy has pursued in this paper, we await the neuroscience that can affect the kind of long-term remission they and their families so desperately wish. [End Page 226] Jonathan D. Moreno University of Pennsylvania morenojd@pennmedicine.upenn.edu Jonathan D. Moreno Jonathan D. Moreno is a philosopher and historian who specializes in the intersection of bioethics, culture, science, and national security, and has published seminal works on the history, sociology and politics of biology and medicine. He is an elected member of the National Academy of Medicine. submitted on January 27, 2023 Accepted on January 30, 2023 Copyright © 2023 Johns Hopkins University Press
精神分裂症患者的心理戏剧治疗笔记
Jonathan D. Moreno博士(生物)我很喜欢Chapy先生在精神分裂症患者的心理剧治疗中所做的工作。虽然多年前我一度对现象学精神病学很感兴趣,尤其是路德维希·宾斯旺格和梅达德·博斯的著作,但我并不是客体分析方面的权威,所以我对这个讨论没有什么可补充的。然而,我应该说,我父亲对这种方法不感兴趣,因为对他的口味来说,这种方法太抽象了。他从戏剧的角度出发,从行动和表演的角度出发。他认为戏剧本身提供了洞察力。出于本回答的目的,我认为所讨论的病人得到了准确的诊断,尽管在描述他与父亲的场景时,他并没有表现出通常的症状,例如幻听。精神分裂症患者经常发现,如果没有充分的心理剧准备,他们很难控制自己听到的声音。根据心理戏剧的方法,让他们做好准备的一种方法是将这些声音外化,让不同的治疗师扮演每个人的角色,让主角指导他们如何扮演那个角色。椅子可以被设置成这样,每个“声音”,由一个辅助的自我拟人化,可以以阵列的形式坐在每把椅子上。这种准备工作可能需要若干次会议。如果这个场景是和一个重要的人一起上演的,就像这个例子中的父亲一样,病人可能无法对直接的接触进行热身,尤其是在所有不同的声音都在争夺他内心的注意力的情况下。因此,他可能会被指导去观察与父亲相遇时的每一个声音,最好是由他自己选择并接受过这个角色训练的治疗师来扮演,通常是通过给扮演父亲的人一些台词,这样他们就能了解父亲和他对儿子说话的方式。或者想想病人的疾病表现为妄想,通常是自大狂的特征。例如,他们可能是弥赛亚,或者是被政府压制身份的皇室合法继承人。病人可能会被邀请选择关键的治疗师来扮演他们圈子里的关键成员的角色,上演关键的场景,比如山上的布道或对受压迫的追随者的演讲。通过这种方式,病人的“行为饥饿”可能在某种程度上得到满足,并对他们周围拒绝接受他们“真实”身份和信仰体系的令人沮丧的世界的焦虑和愤怒产生镇静作用。在这些方面,心理剧治疗可以利用这种方法的一个显著优势,对这些患者来说,他们通常不愿单独进行谈话治疗,对他们来说,药物治疗充其量只是适度有效。尽管如此,这些疾病对心理治疗师来说仍然是最具挑战性的。尽管正如Chapy在这篇论文中所追求的那样,治疗他们的过程可能会让我们对人类思维的本质有更深入的了解,但我们仍在等待神经科学的发展,以实现他们和他们的家人所迫切希望的那种长期缓解。[endpage 226] Jonathan D. Moreno宾夕法尼亚大学morenojd@pennmedicine.upenn.edu Jonathan D. Moreno乔纳森D. Moreno是一位哲学家和历史学家,专门研究生物伦理学,文化,科学和国家安全的交叉,并发表了关于生物学和医学的历史,社会学和政治的开创性著作。他是美国国家医学院的当选成员。版权所有©2023约翰霍普金斯大学出版社
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