Sexuality as a Subversive Force in Erica Jong’s Fear of Dying

Amrutha Ashokan
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Abstract

Women have been marginalized and pushed to the periphery of the society all these years. They are marginalized in terms of gender and sexuality. They were confined to private sphere and was restricted from participating in the public sphere or mainstream society. There was no representation of women in the mainstream history. With the passage of time, women started to claim their rights. They started deconstructing the popular notion of mainstream history in order to provide equal space for women. Erica Jong in Fear of Dying also displays the anxiety of ageing in a woman’s perspective. Through the work, the author unsettles the notion of fear towards ageing and death. Erica Jong in Fear of Dying is trying to give women an authoritative and rational voice by challenging the patriarchal rules. Vanessa, a 60 year old actress in the story, reflects the condition of women and challenges the patriarchal rules. The novel explicitly represents those activities and lifestyles which helps women to move from passive agents to active agents. Through Vanessa, Jong exhorts women to move out of existing patriarchal system and discover their identity as separate from male defined identity of women.
在艾丽卡·容的《怕死》中,性是一种颠覆力量
这些年来,女性一直被边缘化,被推到了社会的边缘。他们在性别和性方面被边缘化。他们被限制在私人领域,被限制参与公共领域或主流社会。在主流历史中没有女性的代表。随着时间的推移,妇女开始主张自己的权利。他们开始解构主流历史的流行观念,以便为女性提供平等的空间。艾丽卡·容在《怕死》中也从女性的角度展现了衰老带来的焦虑。通过这部作品,作者动摇了人们对衰老和死亡的恐惧。艾丽卡·容在《怕死》中试图通过挑战男权统治,赋予女性权威和理性的声音。故事中60岁的女演员凡妮莎反映了女性的状况,挑战了父权统治。小说明确地表现了那些帮助女性从被动主体转变为主动主体的活动和生活方式。通过凡妮莎,钟劝诫女性走出现有的父权制度,发现自己的身份与男性定义的女性身份是分开的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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