The Image of Chichikov in the Works of Raphael Patkanyan

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Albert A. Makaryan, Astghik V. Soghoyan
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引用次数: 0

Abstract

The article examines the influence of the famous Russian writer N. V. Gogol on the prose of the Armenian writer R. G. Patkanyan. The subject of the research are Gogol’s poem “Dead Souls”, Patkanian’s novel “Ambitious”, the play “Pampulius” and the story “Armenian Chichikov”. One of the key issues is the study of Armenian transformations of the Chichikov type, its similarities and differences in comparison with the Russian prototype. Historical-comparative, comparative, structural-morphological methods are used as the methodological basis of the study: the works were considered according to their content and structure. The article examines the connections and relationships between Russian and Armenian literature at a new level, as well as the influence of Russian literature in general: it studies Gogol’s literary school outside Russia, which had various ideological, philosophical and artistic influence on the works of Armenian writers and on Patkanyan in particular. One of the main problems of the article is the question of choosing and characterizing a scoundrel hero, since Patkanyan, under the influence of Gogol, also puts a person striving for wealth at the center of his works and builds his plot around him. The morphological commonalities of the works are also considered: entry into the city, establishing connections with influential people, successes, disclosure of negative plans, escape. As a separate issue, the problem of marriage for money is also investigated: the characters guided by a simple thirst for power are looking for a bride with a rich dowry. By following Gogol’ example, Patkanian also portrays the negative aspects of Armenia and Armenian reality and criticizes them trying to offer possible solutions to these problems. Being a student of the Gogol school, Patkanyan follows the example of the latter and in various issues and techniques of artistic generalization follows the same literary path, but he is not copying it: in his works, Patkanyan offers independent and unique solutions.
帕特坎扬作品中的奇奇科夫形象
本文考察了俄罗斯著名作家果戈理对亚美尼亚作家帕特坎扬散文的影响。以果戈理的诗歌《死魂》、帕特卡尼安的小说《野心》、戏剧《潘普利乌斯》和故事《亚美尼亚奇奇科夫》为研究对象。其中一个关键问题是研究亚美尼亚对奇奇科夫式坦克的改造,以及与俄罗斯原型坦克的异同。历史比较法、比较法、结构形态学方法被用作研究的方法论基础:根据作品的内容和结构来考虑作品。这篇文章检视俄国与亚美尼亚文学之间的联系与关系,以及俄国文学的整体影响:它研究果戈理在俄国境外的文学学派,该学派对亚美尼亚作家的作品,尤其是帕特坎扬的作品,有各种意识形态、哲学与艺术上的影响。这篇文章的主要问题之一是选择和塑造一个恶棍英雄的问题,因为帕特坎扬在果戈里的影响下,也把一个追求财富的人放在了他的作品的中心,并围绕他建立了他的情节。作品的形态共性也被考虑在内:进入城市,与有影响力的人建立联系,成功,揭露负面计划,逃离。作为一个单独的问题,为了金钱而结婚的问题也被调查了:被简单的权力欲望所引导的人物正在寻找一个拥有丰厚嫁妆的新娘。Patkanian以果戈理为榜样,描绘了亚美尼亚和亚美尼亚现实的消极方面,并批评他们试图为这些问题提供可能的解决办法。作为果戈理学派的学生,帕特坎扬以果戈理为榜样,在各种问题和艺术概括的技巧上遵循了同样的文学道路,但他并没有复制它:在他的作品中,帕特坎扬提供了独立而独特的解决方案。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.20
自引率
50.00%
发文量
9
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