Mapping Cultural Flows through Contemporary Art in Translation: The Translation(s) Project

IF 0.4 4区艺术学 0 ART

LEONARDO Pub Date : 2023-10-04 DOI:10.1162/leon_a_02471

Zoran Poposki, Marija Todorova

引用次数: 0

Abstract

Abstract This article examines the role of translation in contemporary art through a case study of the curatorial project Translation(s), curated by Zoran Poposki in collaboration with Laurence Wood, realized in three editions over five years and involving more than 30 video works by international artists. By exploring the dual significance of translation as a motif and a method, the article investigates how artists engage with the complexities of communication and reinterpretation. The analysis highlights the transformative potential of translation, transcending linguistic barriers and extending into the realm of visual representation, cultural expression, and artistic practices.

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在翻译中映射当代艺术的文化流动:翻译项目

摘要:本文以佐兰·波波斯基与劳伦斯·伍德合作的策展项目“翻译”为例，探讨翻译在当代艺术中的作用。该项目在五年内分三版实施，涉及30多件国际艺术家的视频作品。本文通过探讨翻译作为一种母题和一种方法的双重意义，探讨艺术家是如何处理沟通和重新诠释的复杂性的。分析强调了翻译的变革潜力，超越语言障碍，扩展到视觉表现，文化表达和艺术实践领域。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

LEONARDO ART-

CiteScore

0.90

自引率

0.00%

发文量

139

期刊介绍： Leonardo was founded in 1968 in Paris by kinetic artist and astronautical pioneer Frank Malina. Malina saw the need for a journal that would serve as an international channel of communication between artists, with emphasis on the writings of artists who use science and developing technologies in their work. Today, Leonardo is the leading journal for readers interested in the application of contemporary science and technology to the arts.