{"title":"Semiotics and Pragmatism: Theoretical Interfaces by Ivo Assad Ibri (review)","authors":"","doi":"10.2979/csp.2023.a906866","DOIUrl":null,"url":null,"abstract":"Reviewed by: Semiotics and Pragmatism: Theoretical Interfaces by Ivo Assad Ibri Robert E. Innis Ivo Assad Ibri Semiotics and Pragmatism: Theoretical Interfaces Springer, 2022, xxvii + 341 pp., incl. index In the chapter on 'The Heuristic Power of Agapism in Peirce's Philosophy' in his recent book, Semiotics and Pragmatism: Theoretical Interfaces, Ivo Ibri points out that access to Peirce's work requires something on the part of the reader that is \"not readily available in everyone's spirit: a sense of poetry, an aesthetic sensitivity that will, ultimately, become the sharpest and strongest tool to penetrate the deepest meaning of his philosophy\" (116). Such a sensitivity is manifested in Ibri's own responsiveness to Peirce's accounts of the permeating qualities of things in a dynamic universe of emerging novel orders and patterns. Ibri's book presents the record, indeed the culmination, of a well-known and wide-ranging long-term engagement with the work of Peirce. It makes available in English translation the contents of the two-volume [End Page 257] collection of his papers in Portuguese published in 2020 and 2021, although a number of them were originally published in English. The title of the book indicates the dynamic triadic nature of Ibri's central Peircean themes: semiotics and pragmatism and their theoretical as well as historical 'interfaces.' Paradoxically, taken alone, the book's main title, 'Semiotics and Pragmatism,' gives no indication that it is principally about Peirce. The reason, I think, is that there is an interwoven duality of, or tension between, the tasks that Ibri has taken upon himself to accomplish in the intellectual journey manifested in the book's contents: (a) Thinking about Peirce, on the one hand, and (b) Thinking with and through Peirce, on the other. This duality of tasks accounts both for the expository and argumentative richness of Peircean themes and the accompanying sense of intellectual engagement and exploration as they are taken up in the various parts of the book: art as an articulated realm of 'nameless things,' the presence of a poetic ground and its links to Schelling in Peirce's philosophy, the nature of abduction and of agapism as heuristic principles, the scope of Peirce's theory of signs and interpretants, the theory of beliefs and the intellectual dangers and poverty of dogmatism, the nature of habits and rational conduct, the centrality of the categories for Peircean pragmatism and objective idealism, the relations between pragmatism, pragmaticism, and neopragmatism, and other technical and subsidiary topics of current social and political importance. The discussion of these themes involves wide-ranging and generous linkages to other parallel discussions that support or expand Ibri's own positions and existential commitments. Ibri frames in a variety of ways the inextricably intertwined strands of semiotics and pragmatism (or pragmaticism) in Peirce's work and argues forcefully in other chapters for Peirce's metaphysical vision of an emergent creative universe marked by the \"infinite faces of chance\" (122), a vision rooted in Schelling's objective idealism and in scientific discoveries of the 19th century. The organization of the book is thematic and does not develop in linear fashion as a treatise. It can be seen as sequence of engagements or as a series of analytical spirals in which the topics and issues of the book, focused on Peirce's heuristic fertility, are taken up in a kind of dialectical dance of 'retrievals and continuations,' leading inevitably, as Ibri points out, to a high number of repetitions and recapitulations. This is partially due to each chapter in the book, while free standing, functioning as a heuristic device for exploring and arguing for the nature and power of Peirce's interlocking main positions and their shared conceptual underpinnings. In a stimulating chapter on 'The Poetics of Nameless things,' Ibri writes that the Peircean claim of a \"correspondence between external and internal worlds\" is the \"deepest root of pragmatism\" (60). This root gives rise to a system of spiraling tendrils marking the growth of the [End Page 258] Peircean philosophical project. We can think of the chapters of Ibri's book as themselves spiraling, and at times entangled, analytical tendrils that support the growth of our...","PeriodicalId":45325,"journal":{"name":"TRANSACTIONS OF THE CHARLES S PEIRCE SOCIETY","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"TRANSACTIONS OF THE CHARLES S PEIRCE SOCIETY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/csp.2023.a906866","RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
引用次数: 0
Abstract
Reviewed by: Semiotics and Pragmatism: Theoretical Interfaces by Ivo Assad Ibri Robert E. Innis Ivo Assad Ibri Semiotics and Pragmatism: Theoretical Interfaces Springer, 2022, xxvii + 341 pp., incl. index In the chapter on 'The Heuristic Power of Agapism in Peirce's Philosophy' in his recent book, Semiotics and Pragmatism: Theoretical Interfaces, Ivo Ibri points out that access to Peirce's work requires something on the part of the reader that is "not readily available in everyone's spirit: a sense of poetry, an aesthetic sensitivity that will, ultimately, become the sharpest and strongest tool to penetrate the deepest meaning of his philosophy" (116). Such a sensitivity is manifested in Ibri's own responsiveness to Peirce's accounts of the permeating qualities of things in a dynamic universe of emerging novel orders and patterns. Ibri's book presents the record, indeed the culmination, of a well-known and wide-ranging long-term engagement with the work of Peirce. It makes available in English translation the contents of the two-volume [End Page 257] collection of his papers in Portuguese published in 2020 and 2021, although a number of them were originally published in English. The title of the book indicates the dynamic triadic nature of Ibri's central Peircean themes: semiotics and pragmatism and their theoretical as well as historical 'interfaces.' Paradoxically, taken alone, the book's main title, 'Semiotics and Pragmatism,' gives no indication that it is principally about Peirce. The reason, I think, is that there is an interwoven duality of, or tension between, the tasks that Ibri has taken upon himself to accomplish in the intellectual journey manifested in the book's contents: (a) Thinking about Peirce, on the one hand, and (b) Thinking with and through Peirce, on the other. This duality of tasks accounts both for the expository and argumentative richness of Peircean themes and the accompanying sense of intellectual engagement and exploration as they are taken up in the various parts of the book: art as an articulated realm of 'nameless things,' the presence of a poetic ground and its links to Schelling in Peirce's philosophy, the nature of abduction and of agapism as heuristic principles, the scope of Peirce's theory of signs and interpretants, the theory of beliefs and the intellectual dangers and poverty of dogmatism, the nature of habits and rational conduct, the centrality of the categories for Peircean pragmatism and objective idealism, the relations between pragmatism, pragmaticism, and neopragmatism, and other technical and subsidiary topics of current social and political importance. The discussion of these themes involves wide-ranging and generous linkages to other parallel discussions that support or expand Ibri's own positions and existential commitments. Ibri frames in a variety of ways the inextricably intertwined strands of semiotics and pragmatism (or pragmaticism) in Peirce's work and argues forcefully in other chapters for Peirce's metaphysical vision of an emergent creative universe marked by the "infinite faces of chance" (122), a vision rooted in Schelling's objective idealism and in scientific discoveries of the 19th century. The organization of the book is thematic and does not develop in linear fashion as a treatise. It can be seen as sequence of engagements or as a series of analytical spirals in which the topics and issues of the book, focused on Peirce's heuristic fertility, are taken up in a kind of dialectical dance of 'retrievals and continuations,' leading inevitably, as Ibri points out, to a high number of repetitions and recapitulations. This is partially due to each chapter in the book, while free standing, functioning as a heuristic device for exploring and arguing for the nature and power of Peirce's interlocking main positions and their shared conceptual underpinnings. In a stimulating chapter on 'The Poetics of Nameless things,' Ibri writes that the Peircean claim of a "correspondence between external and internal worlds" is the "deepest root of pragmatism" (60). This root gives rise to a system of spiraling tendrils marking the growth of the [End Page 258] Peircean philosophical project. We can think of the chapters of Ibri's book as themselves spiraling, and at times entangled, analytical tendrils that support the growth of our...
伊沃·伊布里(Robert E. Innis)的《符号学与实用主义:理论接口》(符号学与实用主义:理论接口)在他的新书《符号学与实用主义:理论接口》(Semiotics and pragmatic: Theoretical Interfaces)中关于“皮尔斯哲学中Agapism的启发性力量”的一章中,伊沃·伊布里指出,阅读皮尔斯的作品需要读者具备一些“在每个人的精神中都不容易获得的东西”。一种诗意,一种审美敏感性,最终将成为穿透他的哲学最深刻意义的最尖锐和最强大的工具”(116)。这种敏感性体现在伊布里自己对皮尔斯的描述的回应上,皮尔斯描述了在一个不断出现的新秩序和模式的动态宇宙中事物的渗透特性。伊布里的书展示了一份记录,实际上是一个高潮,一个众所周知的和广泛的长期参与皮尔斯的工作。它提供了他在2020年和2021年以葡萄牙语出版的两卷[End Page 257]论文集的英语翻译内容,尽管其中一些最初是用英语出版的。这本书的标题表明了伊布里的中心主题的动态三重性质:符号学和实用主义及其理论和历史的“界面”。矛盾的是,单独来看,这本书的标题“符号学与实用主义”并没有表明它主要是关于皮尔斯的。我认为,原因在于,在书的内容中,伊布里在自己的智力旅程中承担的任务之间存在着一种相互交织的二元性,或者说是紧张关系:(a)一方面思考皮尔斯,(b)另一方面与皮尔斯一起思考,并通过皮尔斯思考。这种任务的双重性既说明了培尔海主题的说明性和论证性的丰富性,也说明了伴随而来的智力参与和探索的感觉,因为它们在书的各个部分都被采用了:艺术作为一个清晰的"未命名事物"的领域,诗歌基础的存在以及它与谢林在皮尔斯哲学中的联系,绑架和agapism作为启启性原则的本质,皮尔斯关于符号和解释的理论的范围,信仰理论和教条主义的智力危险和贫穷,习惯和理性行为的本质,皮尔斯实用主义和客观理想主义范畴的中心地位,实用主义,实用主义和新实用主义,以及当前社会和政治重要性的其他技术和附属主题。对这些主题的讨论涉及与其他平行讨论的广泛和慷慨的联系,这些讨论支持或扩展了伊布里自己的立场和存在主义承诺。伊布里以多种方式勾勒出皮尔斯作品中符号学和实用主义(或实用主义)不可分割地交织在一起的线索,并在其他章节中有力地论证了皮尔斯对一个以“机会的无限面”为标志的涌现的创造性宇宙的形而上学观点(122),这种观点植根于谢林的客观唯心主义和19世纪的科学发现。这本书的组织是主题的,并没有发展成一篇论文的线性方式。它可以被看作是一系列的接触,或者是一系列的分析螺旋,书中的主题和问题,集中在皮尔斯的启发式生育上,被一种“检索和延续”的辩证舞蹈所吸收,不可避免地导致,正如伊布里指出的,大量的重复和重述。这部分是由于书中的每一章都是独立的,作为一种启发式的工具,探索和争论皮尔斯联锁的主要立场的本质和力量,以及它们共同的概念基础。在关于“无名事物的诗学”的一章中,伊布里写道,皮尔斯关于“外部世界和内部世界之间的对应”的主张是“实用主义的最深刻的根源”(60)。这个根源产生了一个螺旋状的卷须系统,标志着培尔海哲学项目的成长。我们可以把伊布里书中的章节想象成螺旋式的,有时是纠缠在一起的,分析性的卷须,支持着我们……
期刊介绍:
Transactions of the Charles S. Peirce Society has been the premier peer-reviewed journal specializing in the history of American philosophy since its founding in 1965. Although named for the founder of American pragmatism, American philosophers of all schools and periods, from the colonial to the recent past, are extensively discussed. TCSPS regularly includes essays, and every significant book published in the field is discussed in a review essay. A subscription to the journal includes membership in the Charles S. Peirce Society, which was founded in 1946 by Frederic H. Young. The purpose of the Society is to encourage study of and communication about the work of Peirce and its ongoing influence in the many fields of intellectual endeavor to which he contributed.