{"title":"All grown up at the most magical place on earth: Refracting the Disney adult","authors":"Bailey Apollonio","doi":"10.1386/jfs_00068_1","DOIUrl":null,"url":null,"abstract":"This article seeks to define and analyse the emergence of the term ‘Disney adult’, a pejorative term used by critics to describe adult fans of the Walt Disney Company. In reading the Disney adult as a kitsch-man, I draw attention to how critics play a role in the ultimate dismissal of a fandom that is attributed with excess sentimentality, feminized consumption and ornamentation, and aesthetic deviance. Additionally, I demonstrate how both mid-twentieth-century kitsch scholars and contemporary popular culture critics conflate aesthetic taste with the personal ethics of fans. In doing so, I demonstrate the politics of consumption and how discrimination can operate within fandoms not only based on gender, but also age.","PeriodicalId":500217,"journal":{"name":"Journal of fandom studies","volume":"886 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of fandom studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jfs_00068_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This article seeks to define and analyse the emergence of the term ‘Disney adult’, a pejorative term used by critics to describe adult fans of the Walt Disney Company. In reading the Disney adult as a kitsch-man, I draw attention to how critics play a role in the ultimate dismissal of a fandom that is attributed with excess sentimentality, feminized consumption and ornamentation, and aesthetic deviance. Additionally, I demonstrate how both mid-twentieth-century kitsch scholars and contemporary popular culture critics conflate aesthetic taste with the personal ethics of fans. In doing so, I demonstrate the politics of consumption and how discrimination can operate within fandoms not only based on gender, but also age.