{"title":"“I name all my plays after places”: David Greig in conversation with Elisabeth Angel-Perez","authors":"Elisabeth Angel-Perez","doi":"10.1353/shb.2023.a907990","DOIUrl":null,"url":null,"abstract":"Abstract: This interview between Elisabeth Angel-Perez and David Greig, which took place on 16 January 2023 over WhatsApp, was conducted specifically for this special issue of Shakespeare Bulletin . The conversation focuses on Greig’s use of Shakespeare as a matrix for contemporary drama. Greig stresses the geographical and linguistic displacements in his play Dunsinane (2010), a sequel to Shakespeare’s Macbeth , which allowed him to map out a conflictual contact zone between an imperialistic power and a country that has been colonized. He explains how Dunsinane serves as a political parable—for contemporary Scotland, but also the wars in the Middle East and Ukraine—while at the same time decentering Shakespeare as a cultural hegemonic matrix.","PeriodicalId":304234,"journal":{"name":"Shakespeare Bulletin","volume":"20 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Shakespeare Bulletin","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/shb.2023.a907990","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract: This interview between Elisabeth Angel-Perez and David Greig, which took place on 16 January 2023 over WhatsApp, was conducted specifically for this special issue of Shakespeare Bulletin . The conversation focuses on Greig’s use of Shakespeare as a matrix for contemporary drama. Greig stresses the geographical and linguistic displacements in his play Dunsinane (2010), a sequel to Shakespeare’s Macbeth , which allowed him to map out a conflictual contact zone between an imperialistic power and a country that has been colonized. He explains how Dunsinane serves as a political parable—for contemporary Scotland, but also the wars in the Middle East and Ukraine—while at the same time decentering Shakespeare as a cultural hegemonic matrix.