German, Jewish, and Female: Encounters with Antisemitism in Mirna Funk's Winternähe (2015) and Deborah Feldman's Überbitten (2017)

IF 0.2 Q3 Social Sciences
Rebekah Slodounik
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引用次数: 0

Abstract

Abstract: Mirna Funk's novel Winternähe (2015) and Deborah Feldman's autobiography Überbitten (2017) depict iterations of antisemitism in contemporary German society, focusing on the seemingly latent antisemitism, exacerbated by their gender, that Lola, the protagonist in Winternähe , and Feldman experience frequently. Intruder figures make legible their disregard for Lola's and Feldman's position as Jewish women in Germany. Funk's Winternähe and Feldman's Überbitten call out the contradictions that Lola and Feldman identify in German society as two independent and fully autonomous Jewish women who are repeatedly told they do not belong in Germany. Funk and Feldman write against such rejections of female German-Jewish identities and toward a recuperation and reclaiming of what it means—for them, not for others—to inhabit Jewishness, Germanness, and femaleness simultaneously, on their own terms.
德国人、犹太人和女性:在米尔纳·芬克的Winternähe(2015)和德博拉·费尔德曼的Überbitten(2017)中遭遇反犹主义
摘要:Mirna Funk的小说Winternähe(2015)和Deborah Feldman的自传Überbitten(2017)描述了当代德国社会中反犹主义的反复,重点关注了Winternähe中的主人公Lola和Feldman经常经历的看似潜在的反犹主义,并因性别而加剧。闯入者的形象清楚地表明,他们无视萝拉和费尔德曼作为德国犹太妇女的地位。芬克的Winternähe和费尔德曼的Überbitten指出了罗拉和费尔德曼在德国社会中所认同的矛盾,她们是两个独立自主的犹太女性,却一再被告知她们不属于德国。芬克和费尔德曼反对这种对女性德国犹太人身份的拒绝,并主张以自己的方式同时居住在犹太人、德国人和女性身上,这对他们来说,而不是对其他人来说,意味着什么。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Feminist German Studies
Feminist German Studies WOMENS STUDIES-
CiteScore
0.30
自引率
0.00%
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0
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