From television genre to film genre: Finnish Schlager music on small and big screens

IF 0.1 0 FILM, RADIO, TELEVISION
Heidi Keinonen
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引用次数: 0

Abstract

Schlager shows were one of the main attractions on early Finnish television. Featuring a popular music genre, the shows were soon followed by a wave of Schlager films. In this article, I discuss Schlager film as an intermedial genre that sheds light on the early forms of cooperation between television, film and record industries. Focusing on the Schlager film Hit parade (1959), I suggest that while television was often seen merely as a competitor of the film industry, contributing to the crisis of Finnish film production, the relation between the two was more ambiguous than that: the case of Hit parade indicates that the film industry was also interested in the potential provided by the new medium.
从电视类型到电影类型:小屏幕和大屏幕上的芬兰施拉格音乐
施拉格节目是早期芬兰电视的主要吸引力之一。这些节目以流行音乐为特色,很快就出现了一波施拉格的电影。在本文中,我将讨论Schlager电影作为一种中间类型,它揭示了电视、电影和唱片行业之间合作的早期形式。以Schlager的电影《大热游行》(1959)为重点,我认为,虽然电视经常被视为电影工业的竞争对手,导致了芬兰电影生产的危机,但两者之间的关系比这更模糊:《大热游行》的案例表明,电影工业也对新媒体提供的潜力感兴趣。
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来源期刊
Journal of Scandinavian Cinema
Journal of Scandinavian Cinema FILM, RADIO, TELEVISION-
CiteScore
0.40
自引率
33.30%
发文量
8
期刊介绍: Journal of Scandinavian Cinema is a scholarly journal devoted to excellent research and stimulating discussion focusing on the cinemas of Denmark, Finland, Iceland, Norway and Sweden, both within their national and Nordic contexts, and as transnational cinemas in a globalized world.
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