Հովհաննես Թումանյանի և Վահան Թեքեյանի գրական համակարգերի դաշինքը ազգայինի տիրույթում

Nune Mkrtchyan, Varduhi Davtyan
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Abstract

The current article aims at revealing the ways of displaying the unity of the perceptions, based on obvious close creative and worldview relations between Hovhannes Tumanyan and Vahan Tekeyan, in the cognitive field. Our task is to dwell on the scrutiny between the two classics, providing an opportunity to elucidate the creative folds, commonalities and features of the psychological system, which bring them closer not only in the literary field, but also in that of maturing concerns about national issues. There is always an examination of literary relations on the agenda of literary history, but it should be noted that the Tumanyan-Tekeyan comparative study is unprecedented and unanalyzed. Using the analytical-comparative method, we have made an attempt to state that though West-Armenian and East-Armenian poems were viewed in a divided environment in the course of their joint development, there are still obvious combinations that deserve a deep examination in terms of aesthetic issues.
ՀովհաննեսԹումանյանիևՎահանԹեքեյանիգրականհամակարգերիդաշինքըազգայինիտիրույթում
本文旨在从图马尼扬和特凯扬在认知领域明显的密切的创作和世界观关系出发,揭示认知统一性的表现方式。我们的任务是详述这两部经典作品之间的审视,为阐明其心理系统的创造性褶皱、共性和特征提供一个机会,这不仅使他们在文学领域更加接近,而且在对国家问题的成熟关注方面也更加接近。文学史的议程上总是有对文学关系的考察,但应该指出的是,对图马尼安-特克扬的比较研究是前所未有的,也是未经分析的。本文试图用分析-比较的方法说明,虽然西亚美尼亚和东亚美尼亚诗歌在共同发展的过程中处于分裂的环境中,但仍有明显的结合,值得在美学问题上进行深入研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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