Don Quixote Unbound

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY
Tilmann Altenberg
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引用次数: 0

Abstract

Abstract Comics adaptations of literary classics often struggle to step out of the shadow of their model. This article explores how the recent adaptation of Miguel de Cervantes's Don Quixote by German comics artist Flix transposes the Golden Age classic to a contemporary German setting, updating the story to speak to some of postmodern society's concerns. Flix's approach is marked by an ironic distance from his textual and pictorial sources, which he repurposes without losing sight of the Spanish novel's story arc, character constellation, and narrative devices. The adaptation restores the original comicality to a classic that has mostly been read as a tragic story. While the adaptation inscribes itself into Germany's cultural fabric, it proposes a Don Quixote that transcends traditional notions of clearly delimited, monolithic national cultures.
被解放的堂吉诃德
文学经典的漫画改编往往难以走出其模式的阴影。这篇文章探讨了德国漫画艺术家弗里斯最近对米格尔·德·塞万提斯的《堂吉诃德》的改编是如何将黄金时代的经典作品转移到当代德国的背景下的,更新了故事,讲述了后现代社会的一些问题。弗里斯的方法的特点是与他的文本和图片来源保持讽刺的距离,他重新利用了西班牙小说的故事弧线,人物群和叙事手段。这部改编作品将原作的喜剧性还原为一个通常被视为悲剧故事的经典作品。虽然改编的作品融入了德国的文化结构,但它提出了一个超越传统观念的堂吉诃德,这个传统观念是明确划分的,单一的民族文化。
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来源期刊
European Comic Art
European Comic Art HUMANITIES, MULTIDISCIPLINARY-
自引率
50.00%
发文量
8
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