A Saga of Cosmopolitan Friendship in Time of the Breaking of Nations: A Study of Ali Smith’s Autumn

Abstract

Brexit, Britain’s exit from the supranational polity of the European Union has unsettled the vision of European unity. Rather than nourishing an “and/ both” cosmopolitan view even in the limited context of continental relationship, Britain inculcates an “either/ or” jingoistic nationalism fed on Euroscepticism. English literature has a long tradition of invoking political issues and Brexit has inaugurated a new sub-genre, ‘BrexLit’. The paper seeks to attempt a detailed study of Scottish writer Ali Smith’s novel Autumn (2016), designated by The New York Times as “the first great Brexit novel”. The first of the seasonal quartet, this novel was shortlisted for the Man Booker Prize 2017 and bagged the 2016 Baileys Women’s Prize for Fiction. Embedded in the Brexit Britain, the novel raises questions of citizenship, particularly in relation to immigration, and mirrors the loss of cultural conviviality. The paper discusses anti-immigrant toxicity, the upsurge of nostalgic appetite for national heritage, and the territorial social ontology of the contemporary English national outlook. The paper studies, in the context of the narrative, how the media resorts to post-truth politics and right-wing nationalistic propaganda in media resulting in the death of democracy and the end of dialogue. The paper explores how the novel advocates an inclusive, realistic cosmopolitanism through Elisabeth-Daniel friendship.