Mark Twain’s Literary Resources: A Reconstruction of His Library and Reading, Volume Two

IF 0.2 0 LITERATURE, AMERICAN
John Bird
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But volume 2 is also the long-awaited expansion of Gribben’s previously monumental reference work, Mark Twain’s Library: A Reconstruction, published in 1980 but long out of print. That book was itself an expansion of Gribben’s 1974 Ph.D. dissertation at the University of California–Berkeley, the longest ever filed there. His research, begun in 1969, spans over five decades, the overflowing materials housed in two rooms of his house (as pictured in the book). The result of Gribben’s long labors and meticulous scholarship is not only perhaps the most valuable and important reference book on Mark Twain, but also an eloquent refutation of what Gribben calls “the recurrent charges by elitist literary critics and historians that Twain was more or less an intellectual lightweight whose writings merely survive on the fading strength of their comical qualities” (xi).Gribben continues, “I demonstrate that he read challenging works of philosophy, history, comparative religions, science, and astronomy, and that he was familiar with most of the respected literary artists who wrote in English in addition to European authors whose works he read in French, German, and Italian” (xi–xii). He argues thatIn addition to those three thousand volumes, Gribben catalogs titles that Twain refers to in his works and letters, bringing the total entries in this volume to nearly six thousand. Monumental indeed!Reconstructing Twain’s library was made necessary because of the dispersal of his books, including his donations to the Mark Twain Library in Redding, Connecticut (over 2,000 books, with all but 240 or so lost, discarded, or never returned by borrowers) and large auctions in 1911 and 1951. Gribben includes the Quarry Farm books owned by Theodore and Susan Crane, since Twain would have had access to them during his twenty years of visits to Elmira. The Annotated Catalog thus consists of lists and descriptions of, Gribben notes, “nearly 6,000 books, short stories, essays, poems, plays, operas, songs, newspapers, and magazines that Clemens mentioned or to which he had direct access” (xviii).Items in the Annotated Catalog are arranged alphabetically by authors’ names, with anonymous works listed by title. Entries include bibliographic data, signatures and inscriptions, marginalia if any, descriptions in book catalogs, provenance if determined, current location if known, as well as scholarship about particular authors and titles. What could have been, in the hands of another, a relatively dry but still valuable list of book titles is transformed by Gribben’s tireless research, vast knowledge, unfailing attention to detail, and inspired vision into a masterpiece of scholarship. To take two examples among many, his entries on the works of Thomas Bailey Aldrich and Sir Walter Scott amount to overviews of, respectively, an important literary friendship and an interesting literary quarrel, each being scholarly articles in themselves.Pages in the Annotated Catalog are arranged in two columns in an oversized format with relatively small type. Most author entries are relatively short, but others are more extensive. For example, Shakespeare (15 double-columned pp.); William Dean Howells (12 pp.); Charles Dickens (8 pp.); the Bible (8 pp.); Robert Browning (7½ pp.); Rudyard Kipling (7 pp.); William Lecky (6 pp., with abundant marginalia noted); Bret Harte (6 pp.); Harriet Beecher Stowe (4½ pp.); Omar Khayyám (3½ pp.); Thomas Carlyle (3½ pp.); Tennyson (3½ pp.); Oliver Wendell Holmes (3 pp.); Charles Dudley Warner (3 pp.); Charles Darwin (3 pp.); Edgar Allan Poe (2 pp.); and Henry James (1½ pp.). Entries sometimes morph into mini essays; for example, the entry on Albert Bigelow Paine is a partial defense of an often-maligned figure. An 1888 book on stock speculation by Moses Smith becomes a nine-page essay on Mark Twain as a businessman. The entry on Jonathan Swift’s Gulliver’s Travels is fascinating. Besides its obvious research uses, Gribben’s book is a browser’s delight. When you pick it up, be prepared to spend several hours flipping pages and making new discoveries and connections.Following the Annotated Catalog is “A Reader’s Guide to the Annotated Catalog,” a supercharged index and finding tool, with more than ten thousand entries, nearly twice as many as the Annotated Catalog. It consists of titles of books, stories, essays, poems, plays, and other works listed in the catalog, but also names of co-authors, editors, co-editors, pseudonyms, illustrators, translators, compilers, adaptors, writers of introductions and prefaces, composers of melodies, and other individuals. In addition, and very importantly, the Reader’s Guide contains subject and genre headings, making it more than merely an index; indeed, it is a reference work in itself, as well as a way to help readers make their way through the voluminous catalog.In addition to the twelve pages of Howells’s works in the catalog, he is referred to in nineteen more entries; Shakespeare’s extra mentions take up two columns. (Each column has around 35 entries.) Aside from the helpful references to authors and titles, the subject and genre headings are especially useful and enlightening, revealing most clearly the breadth of Twain’s reading. A listing of some of the topics shows how insatiable, curious, and adventurous Mark Twain was: afterlife (nearly a column); agnosticism (nearly a column); agriculture (6 entries); sea adventures and voyages (3 columns); bees (11 entries); insects (1 column); English grammar, history, and style (1¾ columns); English history (3 columns); French history (2 columns); hunting literature (nearly a full column); hymns (1 column); India (2 columns); erotica (20 entries); death (1 column); detective fiction (19 entries); ecology, nature appreciation, and land usage (1 column); economics and labor issues (1½ columns); geology (18 entries); children’s and young adult literature (4 columns); art history and techniques (1½ columns); astronomy (1 column); biographies (5 columns); racial prejudice (26 entries); slavery (2½ columns); birds (30 entries); Native Americans (2 columns); natural history (2 columns); evolution (18 entries); science (20 entries); science and religion (20 entries); science fiction (33 entries); prostitution (4 entries); spiritualism and spiritual healing (1 column); court trials (21 entries); boy books (1 column); botany (11 entries); American humorists (3 columns); American history (1¾ columns); medical advice and subjects (1 column); American South (1 column); American West (1½ columns); autobiographies (2 columns); and astronomy (28 entries).As Gribben asserts in his introduction, “Even with the considerable number of unknown losses and donations, the magnitude of Clemens’s reading as documented in the Catalog will astonish many people. His curiosity about books and his recorded responses to his reading reflect an intellect more critically mature than we have sometimes given him credit for possessing. Anxious to maintain his identity with the relatively unread audience for whom he profitably wrote subscription books, he was always self-conscious about his extensive literary knowledge” (xx–xxi). Even though Mark Twain carefully cultivated the guise of an untutored jester, Gribben’s reconstruction of Twain’s library and reading dispel any such notions for all the time. The boy whose formal education ended at age eleven became the man whose vast and varied reading made him intelligent, knowledgeable, sophisticated, and endlessly curious.Through many years of research and many miles on the road carrying out his literary detective work, Alan Gribben has achieved in the two volumes of Mark Twain’s Literary Resources a reference work that will not be surpassed in its usefulness, comprehensiveness, value, and importance. It is truly a monumental achievement, easily worthy of that word. It instantly becomes an essential reference tool for anyone interested in Mark Twain, both for individuals and for libraries. Just as Mark Twain was inexhaustible in his reading, Gribben has been inexhaustible in his research, and generations of scholars and enthusiasts will be the beneficiaries as a result. (As an aside, lest the list price put off any potential purchaser—although the massive work is worth it—check out the price on Amazon, at this writing a huge discount from list price, and truly a bargain for such an important volume. Also note that the title listed online is Mark Twain’s Literary Resources: Twain’s Collection, Owned and Borrowed, vol. 2, but the correct subtitle is A Reconstruction of His Library and Reading, vol. 2.)Credit should also go to Alan Gribben’s wife, Irene Wong, who along with their children not only spent many vacation days traveling with Alan to pursue yet another lead on a particular book, but who also served as an able co-editor of the project. Alan’s dedication in volume 1 is apt: “For Irene Wong, who married a scholar and his book.”I close on a personal note. My school’s library did not have a copy of Gribben’s earlier volume, Mark Twain’s Library: A Reconstruction, and I could neither find nor afford a copy of the long-out-of-print work. I can’t count the number of times I traveled to another university’s library just to look something up in that reference book. I am overjoyed to have Alan Gribben’s two volumes on Twain’s reading occupying pride of place in my own library of Twain works and Twain studies. I know that I will refer to them often, my journey to consult them now a few steps instead of many miles. 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引用次数: 0

Abstract

The word “monumental” is certainly overused, but in the case of Alan Gribben’s Mark Twain’s Literary Resources: A Reconstruction of His Library and Reading, vol. 2, “monumental” is an understatement. In size, scope, scholarship, comprehensiveness, and execution, Gribben’s reference book will prove to be indispensable for scholars and for people interested in Mark Twain’s intellectual life for generations to come.This massive second volume is the follow-up to Gribben’s Mark Twain’s Literary Resources: A Reconstruction of his Library and Reading, vol. 1 (NewSouth Books/U of Georgia P, 2019), in which he recounts his research and provides an overview of Twain’s library and reading. But volume 2 is also the long-awaited expansion of Gribben’s previously monumental reference work, Mark Twain’s Library: A Reconstruction, published in 1980 but long out of print. That book was itself an expansion of Gribben’s 1974 Ph.D. dissertation at the University of California–Berkeley, the longest ever filed there. His research, begun in 1969, spans over five decades, the overflowing materials housed in two rooms of his house (as pictured in the book). The result of Gribben’s long labors and meticulous scholarship is not only perhaps the most valuable and important reference book on Mark Twain, but also an eloquent refutation of what Gribben calls “the recurrent charges by elitist literary critics and historians that Twain was more or less an intellectual lightweight whose writings merely survive on the fading strength of their comical qualities” (xi).Gribben continues, “I demonstrate that he read challenging works of philosophy, history, comparative religions, science, and astronomy, and that he was familiar with most of the respected literary artists who wrote in English in addition to European authors whose works he read in French, German, and Italian” (xi–xii). He argues thatIn addition to those three thousand volumes, Gribben catalogs titles that Twain refers to in his works and letters, bringing the total entries in this volume to nearly six thousand. Monumental indeed!Reconstructing Twain’s library was made necessary because of the dispersal of his books, including his donations to the Mark Twain Library in Redding, Connecticut (over 2,000 books, with all but 240 or so lost, discarded, or never returned by borrowers) and large auctions in 1911 and 1951. Gribben includes the Quarry Farm books owned by Theodore and Susan Crane, since Twain would have had access to them during his twenty years of visits to Elmira. The Annotated Catalog thus consists of lists and descriptions of, Gribben notes, “nearly 6,000 books, short stories, essays, poems, plays, operas, songs, newspapers, and magazines that Clemens mentioned or to which he had direct access” (xviii).Items in the Annotated Catalog are arranged alphabetically by authors’ names, with anonymous works listed by title. Entries include bibliographic data, signatures and inscriptions, marginalia if any, descriptions in book catalogs, provenance if determined, current location if known, as well as scholarship about particular authors and titles. What could have been, in the hands of another, a relatively dry but still valuable list of book titles is transformed by Gribben’s tireless research, vast knowledge, unfailing attention to detail, and inspired vision into a masterpiece of scholarship. To take two examples among many, his entries on the works of Thomas Bailey Aldrich and Sir Walter Scott amount to overviews of, respectively, an important literary friendship and an interesting literary quarrel, each being scholarly articles in themselves.Pages in the Annotated Catalog are arranged in two columns in an oversized format with relatively small type. Most author entries are relatively short, but others are more extensive. For example, Shakespeare (15 double-columned pp.); William Dean Howells (12 pp.); Charles Dickens (8 pp.); the Bible (8 pp.); Robert Browning (7½ pp.); Rudyard Kipling (7 pp.); William Lecky (6 pp., with abundant marginalia noted); Bret Harte (6 pp.); Harriet Beecher Stowe (4½ pp.); Omar Khayyám (3½ pp.); Thomas Carlyle (3½ pp.); Tennyson (3½ pp.); Oliver Wendell Holmes (3 pp.); Charles Dudley Warner (3 pp.); Charles Darwin (3 pp.); Edgar Allan Poe (2 pp.); and Henry James (1½ pp.). Entries sometimes morph into mini essays; for example, the entry on Albert Bigelow Paine is a partial defense of an often-maligned figure. An 1888 book on stock speculation by Moses Smith becomes a nine-page essay on Mark Twain as a businessman. The entry on Jonathan Swift’s Gulliver’s Travels is fascinating. Besides its obvious research uses, Gribben’s book is a browser’s delight. When you pick it up, be prepared to spend several hours flipping pages and making new discoveries and connections.Following the Annotated Catalog is “A Reader’s Guide to the Annotated Catalog,” a supercharged index and finding tool, with more than ten thousand entries, nearly twice as many as the Annotated Catalog. It consists of titles of books, stories, essays, poems, plays, and other works listed in the catalog, but also names of co-authors, editors, co-editors, pseudonyms, illustrators, translators, compilers, adaptors, writers of introductions and prefaces, composers of melodies, and other individuals. In addition, and very importantly, the Reader’s Guide contains subject and genre headings, making it more than merely an index; indeed, it is a reference work in itself, as well as a way to help readers make their way through the voluminous catalog.In addition to the twelve pages of Howells’s works in the catalog, he is referred to in nineteen more entries; Shakespeare’s extra mentions take up two columns. (Each column has around 35 entries.) Aside from the helpful references to authors and titles, the subject and genre headings are especially useful and enlightening, revealing most clearly the breadth of Twain’s reading. A listing of some of the topics shows how insatiable, curious, and adventurous Mark Twain was: afterlife (nearly a column); agnosticism (nearly a column); agriculture (6 entries); sea adventures and voyages (3 columns); bees (11 entries); insects (1 column); English grammar, history, and style (1¾ columns); English history (3 columns); French history (2 columns); hunting literature (nearly a full column); hymns (1 column); India (2 columns); erotica (20 entries); death (1 column); detective fiction (19 entries); ecology, nature appreciation, and land usage (1 column); economics and labor issues (1½ columns); geology (18 entries); children’s and young adult literature (4 columns); art history and techniques (1½ columns); astronomy (1 column); biographies (5 columns); racial prejudice (26 entries); slavery (2½ columns); birds (30 entries); Native Americans (2 columns); natural history (2 columns); evolution (18 entries); science (20 entries); science and religion (20 entries); science fiction (33 entries); prostitution (4 entries); spiritualism and spiritual healing (1 column); court trials (21 entries); boy books (1 column); botany (11 entries); American humorists (3 columns); American history (1¾ columns); medical advice and subjects (1 column); American South (1 column); American West (1½ columns); autobiographies (2 columns); and astronomy (28 entries).As Gribben asserts in his introduction, “Even with the considerable number of unknown losses and donations, the magnitude of Clemens’s reading as documented in the Catalog will astonish many people. His curiosity about books and his recorded responses to his reading reflect an intellect more critically mature than we have sometimes given him credit for possessing. Anxious to maintain his identity with the relatively unread audience for whom he profitably wrote subscription books, he was always self-conscious about his extensive literary knowledge” (xx–xxi). Even though Mark Twain carefully cultivated the guise of an untutored jester, Gribben’s reconstruction of Twain’s library and reading dispel any such notions for all the time. The boy whose formal education ended at age eleven became the man whose vast and varied reading made him intelligent, knowledgeable, sophisticated, and endlessly curious.Through many years of research and many miles on the road carrying out his literary detective work, Alan Gribben has achieved in the two volumes of Mark Twain’s Literary Resources a reference work that will not be surpassed in its usefulness, comprehensiveness, value, and importance. It is truly a monumental achievement, easily worthy of that word. It instantly becomes an essential reference tool for anyone interested in Mark Twain, both for individuals and for libraries. Just as Mark Twain was inexhaustible in his reading, Gribben has been inexhaustible in his research, and generations of scholars and enthusiasts will be the beneficiaries as a result. (As an aside, lest the list price put off any potential purchaser—although the massive work is worth it—check out the price on Amazon, at this writing a huge discount from list price, and truly a bargain for such an important volume. Also note that the title listed online is Mark Twain’s Literary Resources: Twain’s Collection, Owned and Borrowed, vol. 2, but the correct subtitle is A Reconstruction of His Library and Reading, vol. 2.)Credit should also go to Alan Gribben’s wife, Irene Wong, who along with their children not only spent many vacation days traveling with Alan to pursue yet another lead on a particular book, but who also served as an able co-editor of the project. Alan’s dedication in volume 1 is apt: “For Irene Wong, who married a scholar and his book.”I close on a personal note. My school’s library did not have a copy of Gribben’s earlier volume, Mark Twain’s Library: A Reconstruction, and I could neither find nor afford a copy of the long-out-of-print work. I can’t count the number of times I traveled to another university’s library just to look something up in that reference book. I am overjoyed to have Alan Gribben’s two volumes on Twain’s reading occupying pride of place in my own library of Twain works and Twain studies. I know that I will refer to them often, my journey to consult them now a few steps instead of many miles. And I will read through it often, in awe both of Mark Twain’s reading and of Alan Gribben’s conscientious and meticulous research.
马克·吐温的文学资源:重建他的图书馆和阅读,第二卷
在注释目录之后是“注释目录的读者指南”,这是一个强大的索引和查找工具,有超过10,000个条目,几乎是注释目录的两倍。它包括书籍、故事、散文、诗歌、戏剧和目录中列出的其他作品的标题,以及合著者、编辑、合著者、笔名、插图画家、翻译、编译者、改编者、介绍和序言作者、旋律作曲家和其他个人的姓名。此外,非常重要的是,读者指南包含主题和类型标题,使其不仅仅是一个索引;事实上,它本身就是一本参考书,同时也是一种帮助读者浏览大量目录的方法。除了目录中12页的豪威尔斯作品外,还有19个条目提到了他;莎士比亚额外提到的部分占了两栏。(每一栏大约有35个条目。)除了对作者和标题的有用参考外,主题和类型标题特别有用和有启发性,最清楚地揭示了吐温的阅读广度。下面列出的一些话题显示了马克·吐温是多么贪得无厌、充满好奇心和冒险精神:死后的生活(几乎是一个专栏);不可知论(几乎是一个专栏);农业(6项);海上冒险和航行(3栏);蜜蜂(11项);昆虫(1栏);英语语法,历史和风格(1¾栏);英语历史(3栏);法国历史(2栏);狩猎文学(几乎是一个完整的专栏);赞美诗(1栏);印度(2栏);情色作品(20篇);死亡(1栏);侦探小说(19篇);生态、自然欣赏与土地利用(1栏);经济和劳工问题(1.5专栏);地质(18项);儿童及青少年文学(4个栏目);艺术史和技术(1½栏);天文学(1栏);传记(5栏);种族偏见(26项);奴隶制(2个半栏);鸟类(30项);印第安人(2栏);自然史(2栏);进化(18项);科学类(20项);科学与宗教(20项);科幻类(33篇);卖淫(4项);唯心论和精神治疗(1栏);法庭审判(21件);男童读物(1栏);植物学(11项);美国幽默家(3栏);美国历史(1¾列);医嘱及研究对象(1栏);美国南部(1栏);美国西部(1½栏);自传(2栏);天文学(28项)。正如格里本在他的引言中所断言的那样,“即使有大量未知的损失和捐赠,目录中记载的克莱门斯的阅读量将使许多人感到震惊。”他对书籍的好奇心和他对阅读的记录反应,反映出他的智力比我们有时认为的要成熟得多。他急于保持自己在那些相对没有读过书的读者中的身份,他为这些读者写的订阅书有利可图,他总是对自己广泛的文学知识感到难为情”(xx-xxi)。尽管马克·吐温小心翼翼地伪装成一个没有受过教育的小丑,但格里本对马克·吐温的藏书和阅读的重建始终消除了任何这样的观念。这个11岁就结束了正规教育的男孩,后来成为了一个博学多闻的人,这使他变得聪明、博学、老练,并且充满了无限的好奇心。经过多年的研究,在进行文学侦探工作的道路上走了许多英里,艾伦·格里本在马克·吐温的两卷本文学资源中取得了一部在实用性、全面性、价值和重要性方面无与伦比的参考作品。这确实是一项不朽的成就,不愧为这个词的代名词。它立即成为任何对马克·吐温感兴趣的人的基本参考工具,无论是个人还是图书馆。就像马克·吐温孜孜不倦地阅读一样,格里本也孜孜不倦地研究,一代又一代的学者和爱好者将从中受益。(顺便说一句,为了避免标价吓跑任何潜在的买家——尽管这本书很值得——看看亚马逊网站上的价格吧,在写这篇文章的时候,它比标价打了很大的折扣,对于如此重要的一本书来说,这真的很划算。还要注意,网上列出的标题是马克·吐温的文学资源:吐温的收藏,拥有和借用,第二卷,但正确的副标题是重建他的图书馆和阅读,第二卷。)艾伦·格里本的妻子艾琳·王也值得称赞,她和孩子们不仅花了很多假期和艾伦一起旅行,为一本特别的书寻找另一个线索,而且她还是这个项目的一位能干的联合编辑。艾伦在第一卷中的献词很贴切:“献给艾琳·王,她嫁给了一位学者和他的书。”我以个人观点结束。 我们学校的图书馆没有格里本的早期作品《马克·吐温的图书馆:重建》,我既找不到也买不起这本早已绝版的书。我已经数不清有多少次去别的大学的图书馆只是为了在那本参考书里查点什么。艾伦·格里本关于吐温阅读的两卷书在我自己的吐温作品和吐温研究图书馆占据了最重要的位置,我非常高兴。我知道我将经常参考他们,我的旅程现在向他们请教几步而不是许多英里。出于对马克·吐温的阅读和艾伦·格里本认真细致的研究的敬畏,我会经常通读这本书。
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来源期刊
Mark Twain Annual
Mark Twain Annual LITERATURE, AMERICAN-
CiteScore
0.40
自引率
14.30%
发文量
16
期刊介绍: The Mark Twain Annual publishes articles related to Mark Twain and those who surrounded him and serves as an outlet for new scholarship as well as new pedagogical approaches. It is the official publication of the Mark Twain Circle of America, an international association of people interested in the life and work of Mark Twain. The Circle encourages interest in Mark Twain and fosters the formal presentation of ideas about the author and his work, as well as the informal exchange of information among its members.
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