Writing Black Women’s Mythology: A Conversation with Deborah D.E.E.P. Mouton

Deborah D.E.E.P. Mouton, Gulsin Ciftci, Silvia Schultermandl
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Abstract

In commemoration of the proclamation of the end of slavery in the United States on June 19, 1865, writer, activist, and performer Deborah D.E.E.P. Mouton read from and discussed her memoir Black Chameleon at the 2023 Juneteenth Dialogue hosted by the Chair of American Studies at the University of Münster. The Juneteenth Dialogues are designed to enter into a discussion about systemic racism in the United States and to explore literary responses to the vulnerabilities of Black lives and strategies of (literary) resistance. With Deborah D.E.E.P. Mouton, the focus of conversation was on the importance of mythology for Black women in the United States, the potentials of autobiographical writing, and the importance of literature today. Mythology, in Mouton’s work, builds on what Audre Lourd called “biomythography” to combine personal experience, popular culture, history, and received narratives that are part of ancient storytelling traditions. In Mouton’s hands, this becomes a technique for getting closer to some of the complex truths of a past grounded in enslavement. Mouton’s reading from Black Chameleon and the panel discussion that followed are the basis of this interview. It has been edited for clarity. We want to thank the audience of the 2023 Juneteenth Dialogues as well as Dr. Ortwin Lämke and Frederik Köpke from the Studiobühne for providing the space for this event.
写作黑人女性的神话:与黛博拉·D.E.E.P.穆顿的对话
为了纪念1865年6月19日美国宣布废除奴隶制,作家、活动家和表演者黛博拉·d·e·p·穆顿在2023年由美国 nster大学美国研究主席主持的“六月对话”上朗读并讨论了她的回忆录《黑色变色龙》。《六月节对话》旨在探讨美国的系统性种族主义,并探讨文学对黑人生活脆弱性的回应以及(文学)抵抗策略。与黛博拉·d·e·p·穆顿(Deborah D.E.E.P. Mouton)一起,谈话的重点是神话对美国黑人女性的重要性、自传体写作的潜力以及当今文学的重要性。在穆顿的作品中,神话建立在奥德雷·卢德所说的“生物神话学”的基础上,将个人经历、流行文化、历史和作为古代叙事传统一部分的公认叙事结合起来。在穆顿的笔下,这变成了一种技巧,可以让我们更接近一些以奴役为基础的过去的复杂真相。穆顿朗读的《黑色变色龙》和随后的小组讨论是这次采访的基础。为清晰起见,本文经过了编辑。我们要感谢2023年六月对话的观众,以及studiob hne的Ortwin博士Lämke和Frederik Köpke为本次活动提供空间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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