«Навь и явь» в «Дневнике мыслей» Алексея Ремизова. Январь – февраль 1953 г.

IF 0.3 3区 文学 0 LITERATURE, SLAVIC
Алла Грачева (Alla Gracheva) , Ольга Линдеберг (Olga Lindeberg) , Любовь Хачатурян (Lyubov Khachaturian)
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引用次数: 0

Abstract

In this introductory article, the authors contextualize Alexei Remizov’s diary entries of January–February 1953, which are published in this Russian Literature volume for the first time. Remizov kept a diary almost throughout his entire life. The authors explain Remizov’s method of conducting diary writing and the evolution of his diary entries. They analyze the correlation of sleep and wakefulness in daily records, as well as numerous references by Remizov to the “transcendental nature of dreams” (as defined by the philosopher Pavel Florenskii). And they devote special attention to the transformation of dream motifs and Remizov’s search for their literary form in the process of creating his later works, The Fire of Things (Ogon’ veshchei, 1954) and Martyn Zadeka. Dream book (Martyn Zadeka. Sonnik, 1954).

阿列克谢-雷米佐夫《思想日记》(1953 年 1-2 月)导言
在这篇介绍性文章中,作者将阿列克谢·雷米佐夫1953年1月至2月的日记条目置于背景中,这些条目首次发表在这本俄罗斯文学卷中。雷米佐夫几乎一生都在写日记。作者解释了雷米佐夫写日记的方法和他的日记条目的演变。他们分析了日常记录中睡眠和清醒的相关性,以及雷米佐夫对“梦的先验本质”(由哲学家帕维尔·弗洛伦斯基(Pavel Florenskii)定义)的大量引用。他们特别关注梦母题的转变,以及列米佐夫在创作后期作品《物之火》(Ogon ' veshchei, 1954)和马丁·扎德卡(Martyn Zadeka)过程中对其文学形式的探索。梦想之书(马丁·扎德卡)。Sonnik, 1954)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
RUSSIAN LITERATURE
RUSSIAN LITERATURE LITERATURE, SLAVIC-
CiteScore
0.60
自引率
0.00%
发文量
50
期刊介绍: Russian Literature combines issues devoted to special topics of Russian literature with contributions on related subjects in Croatian, Serbian, Czech, Slovak and Polish literatures. Moreover, several issues each year contain articles on heterogeneous subjects concerning Russian Literature. All methods and viewpoints are welcomed, provided they contribute something new, original or challenging to our understanding of Russian and other Slavic literatures. Russian Literature regularly publishes special issues devoted to: • the historical avant-garde in Russian literature and in the other Slavic literatures • the development of descriptive and theoretical poetics in Russian studies and in studies of other Slavic fields.
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