The Author's Three Bodies: Codicological Intentionalism and the Medieval Text

IF 0.4 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES
Sebastian Sobecki
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引用次数: 0

Abstract

This article takes issue with medievalists’ curated textual practices that coalesce on codicological intentionalism, that is, the implied position of (re)constructing authorial intention through the study of manuscripts and handwriting. Rather than criticize this practice, the article challenges medievalists to come clean about what they are doing, to acknowledge their methodological vantage point and, thus, to admit to investments in the project of intentionalism. Authorial intention is discussed as a function of the text/context debate; the tripartite division of authorship is analyzed in premodern settings; how codicological intentionalism operates is explained; and, finally, this phenomenon is shown to have parallels in a cognate discourse that has been ignored by literary medievalists, namely, the study of the Synoptic Gospels. Codicological intentionalism balances materialist with historicist certainties and probabilities; it offers a viable methodology for reconciling textual with authorial objectives.
作者的三个主体:法典意旨主义与中世纪文本
本文对中世纪学者的整理文本实践提出了质疑,这些实践结合了法典意向性,即通过对手稿和笔迹的研究(重新)构建作者意图的隐含立场。这篇文章并没有批评这种做法,而是要求中世纪学者澄清他们在做什么,承认他们在方法论上的优势,从而承认他们在意向主义项目上的投资。作者意图作为文本/语境辩论的功能被讨论;分析了前现代背景下作者身份的三方划分;解释了法典意向性是如何运作的;最后,这种现象在中世纪文学学者所忽视的同源话语中也有相似之处,即对符类福音书的研究。法典意旨主义平衡唯物主义与历史主义的确定性和概率;它提供了一种可行的方法来调和文本与作者的目标。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
27
期刊介绍: The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.
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