The Audacity of Judging Mind in Medieval England

IF 0.4 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES
Elizabeth Papp Kamali
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引用次数: 0

Abstract

In medieval English texts, a common refrain, drawn from scripture, urged that only God could search the mind and heart of a sinner, and that those who judge others might face their own grave judgment on the last day. This sits uneasily with the task of issuing a felony verdict, a burden placed squarely upon the shoulders of lay jurors after the Fourth Lateran Council's effective abolition of trial by ordeal in 1215. Nevertheless, jurors did sit in judgment upon their neighbors, and evidence suggests that they were not merely assessing outward conduct but also the state of a defendant's heart and mind which, like the hand of a proband in the era of trial by ordeal, might be declared fair or foul. This essay explores how techniques for unearthing intentionality through circumstantial inquiry—techniques developed in the context of classical rhetoric and adapted for priests hearing confessions—were put to use by coroners and others tasked with investigating crimes. This, in turn, aided jurors in the perilous, even audacious, task of judging alleged felons, ultimately determining who should be acquitted and who should face the gallows.
中世纪英格兰的大胆判断精神
在中世纪的英语文本中,一个常见的副歌,从圣经中摘录,敦促只有上帝才能搜索一个罪人的思想和心灵,那些评判别人的人可能会在最后一天面临自己的严重审判。在1215年第四次拉特兰会议废除了酷刑审判之后,这一重担直接落在了非专业陪审员的肩上。然而,陪审员确实参与了对邻居的判断,证据表明,他们不仅要评估被告的外在行为,还要评估被告的内心和思想状态,就像在严酷审判时代,先证者的手一样,可能会宣布公正或不公正。这篇文章探讨了通过间接调查来发现故意的技术是如何被验尸官和其他负责调查犯罪的人使用的。这种技术是在古典修辞学的背景下发展起来的,适用于牧师听取供词。这反过来又帮助陪审员完成了一项危险的、甚至是大胆的任务,即审判被指控的重罪犯,最终决定谁应该被无罪释放,谁应该面对绞刑架。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
27
期刊介绍: The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.
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