Sentences

IF 0.8 4区 社会学 Q3 CULTURAL STUDIES
Lee Edelman
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引用次数: 0

Abstract

Focusing on a passage where Leo Bersani addresses the intensity of his attachment to many of his first sentences—sentences that seemed to come all at once and to betray his own understanding of the topics they introduced—this essay considers that betrayal in relation to his view of homosexuality as betraying the seriousness of statements. By examining how the latter betrayal gets enacted in the betrayal his sentences perform, it identifies the tension in Bersani’s work between an explicit resistance to the “de-gaying” he associates with queer theory and the “de-gaying” impulse of his own work, which made it central to queer theory itself.
句子
这篇文章的重点是一段话,在这段话里,利奥·贝尔萨尼表达了他对他的许多开头句子的强烈依恋——这些句子似乎一下子就出现了,背叛了他自己对这些句子所引入的主题的理解——这篇文章认为,背叛与他对同性恋的看法有关,背叛了陈述的严肃性。通过研究后一种背叛是如何在他的句子中表现出来的,它确定了贝尔萨尼作品中的紧张关系,一方面是对他与酷儿理论相关的“去同性恋化”的明确抵制,另一方面是他自己作品中的“去同性恋化”冲动,这使得它成为酷儿理论本身的核心。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
5
期刊介绍: differences: A Journal of Feminist Cultural Studies first appeared in 1989 at the moment of a critical encounter—a head-on collision, one might say—of theories of difference (primarily Continental) and the politics of diversity (primarily American). In the ensuing years, the journal has established a critical forum where the problematic of differences is explored in texts ranging from the literary and the visual to the political and social. differences highlights theoretical debates across the disciplines that address the ways concepts and categories of difference—notably but not exclusively gender—operate within culture.
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