The functioning of literary allusions and reminiscences in the novel "The Universal Storm" by Sleptsova-Kuorsunnakh

A. A. Burtsev, M. A. Burtseva
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Abstract

The  article  analyses  the  artistic  specificity  in  the  novel  "The  Universal  Storm" by  Elena  Sleptsova-Kuorsunnakh,  dedicated  to  the  tragic  fate  of  the  Sakha  intelligentsia.  By  its genre nature, this is a synthetic work that combines the features of an epic novel with a document-based family  chronicle.  Although  the  narrative  in  the  novel  is  built  around  the  Orosin  clan,  its  distinctive feature is the depiction of a complex polyphony of individual destinies and characters that do not merge into a single mass, but give rise to real diversity. The article features the images of such historical figures as Vasily Nikiforov, Anepodist Sofronov, Platon Oyunsky, and Vera Davydova. The depiction of the real vicissitudes  of  their  private  lives  not  only  confirms  the  novelistic  character  of  the  Kuorsunnakh's  work, but  also  testifies  to  the  presence  of  the  features  of  psychological  "genre  generalization".  In  this  regard, as  shown  in  the  article,  the  use  of  literary  allusions  and  reminiscences  by  the  author  among  the  ways of mastering the artistic material seems to be successful.
文学典籍和回忆在斯普索娃-库尔苏纳克小说《宇宙风暴》中的作用
本文分析了艾琳娜·斯普索娃-库尔苏纳克的小说《宇宙风暴》的艺术专一性,这是一部描写萨哈知识分子悲惨命运的小说。就其体裁性质而言,这是一部综合作品,结合了史诗小说和纪实家庭编年史的特点。虽然小说的叙事是围绕奥罗辛家族展开的,但其鲜明的特点是对个人命运和人物的复杂复调的描绘,这些复调并没有融合成一个整体,而是产生了真正的多样性。这篇文章以瓦西里·尼基福罗夫、阿纳波德·索弗罗诺夫、普拉顿·奥文斯基和维拉·达维多娃等历史人物的形象为特色。对他们私人生活真实沧桑的描写,不仅证实了库尔苏纳克作品的小说性,也证明了心理“类型概括”特征的存在。在这方面,正如文章所示,作者在掌握艺术材料的方式中使用文学典故和回忆似乎是成功的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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