The Representation of Death in Haiku Creation During the Second Sino-Japanese War :Focusing on <i>Shina Jihen Sanzen Ku</i>

Q4 Arts and Humanities
Yuki KASHIMOTO
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引用次数: 0

Abstract

The Haiku anthology Shina Jihen Sanzen Ku is the culmination of the tradition of war Haiku that flourished during the Second Sino-Japanese War. This anthology includes more than 3,000 haikus, with an almost equal number of Haiku from the front line and home front, two sites which therefore intersect in this anthology.This feature Previous studies on Haiku have focused only on the outstanding work of Haiku poets rather than paying attention to such anthologies of war Haiku.This paper focuses on the representation of the war dead in this anthology’s Haiku, and the way these texts are organized.It contributes to current research on the perspective on and the intimacy with the dead that characterizes war Haiku. It also proposes an undeveloped approach to studying Haiku anthologies such as Shina Jihen Sanzen Ku, which can expand the scope of research on Haiku expressiveness.
第二次甲午战争时期俳句创作中的死亡再现——以《信纳纪恒三禅库》为中心
俳句选集<i>《信纳纪恒三禅库</i>》是第二次中日战争期间兴盛的战争俳句传统的巅峰之作。这本选集包括3000多首俳句,来自前线和后方的俳句数量几乎相等,因此这两个地方在这本选集中相交。以往对俳句的研究主要集中在俳句诗人的杰出作品上,而对战争俳句的选集研究较少。本文的重点是在这个选集的俳句中的战争死者的表现,以及这些文本的组织方式。它有助于当前对战争俳句特征的对死者的看法和亲密关系的研究。本文还提出了一种尚未开发的俳句选集研究方法,如《诗纳纪事三禅库》,这可以扩大俳句表现力研究的范围。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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16
审稿时长
23 weeks
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