Geglückte Reintegration?

IF 0.1 3区 艺术学 0 MUSIC
Christian Bartle, Christoph Flamm
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 The process of German musicology’s rapprochement with the international scientific community after 1945 can be traced through the musicological meetings and conferences that took place both inside and outside Germany. The essay evaluates the international participation – of German musicologists internationally and international colleagues at conferences in Germany – as well as the reception of these conferences in Die Musikforschung up to 1950. The key figure behind these developments was Friedrich Blume. Although the statements and reports of the “Gesellschaft für Musikforschung” (GfM) do not indicate any willingness to come to terms with the Nazi past, within a few years foreign organisations were ready to reach out to their German colleagues again.
 
 
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引用次数: 0

Abstract

The process of German musicology’s rapprochement with the international scientific community after 1945 can be traced through the musicological meetings and conferences that took place both inside and outside Germany. The essay evaluates the international participation – of German musicologists internationally and international colleagues at conferences in Germany – as well as the reception of these conferences in Die Musikforschung up to 1950. The key figure behind these developments was Friedrich Blume. Although the statements and reports of the “Gesellschaft für Musikforschung” (GfM) do not indicate any willingness to come to terms with the Nazi past, within a few years foreign organisations were ready to reach out to their German colleagues again.
挽回重新统一?
& # x0D;& # x0D;& # x0D;1945年后,德国音乐学与国际科学界的和解过程可以追溯到在德国国内外举行的音乐学会议和会议。这篇文章评估了德国国际音乐学家和国际同行在德国参加会议的情况,以及1950年之前《音乐之报》对这些会议的接受情况。这些发展背后的关键人物是弗里德里希·布鲁姆。尽管“音乐协会”(GfM)的声明和报告并未表明他们愿意承认纳粹的过去,但几年后,外国组织准备再次与他们的德国同事接触。& # x0D;& # x0D;
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