Art and the Lived Experience of Pain

Panayiota Vassilopoulou
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Abstract

Abstract Mental health has become a key concern within social discourse in recent years, and with it, the discussion about the lived experience of pain. In dealing with this experience there has been a shift away from merely relying on medical care towards more holistic approaches involving community support, public awareness, and social change. However, little if any attention has been paid in this context to the contribution of aesthetic experience engendered by art that expresses and publicly shares with others the lived experience of pain. With reference to Phantom Limb , an art exhibition curated by Euan Grey and held at the Victoria Galleries and Museum Liverpool in 2016, I argue that aesthetic experience plays a crucial role in making sense of pain and suffering, thus breaking new ground in the appreciation of the significance of art for public mental health and holistic approaches towards patients.
艺术与痛苦的生活体验
近年来,心理健康已经成为社会话语中的一个关键问题,随之而来的是关于痛苦生活经历的讨论。在处理这一经验时,已经从仅仅依靠医疗保健转向涉及社区支持、公众意识和社会变革的更全面的办法。然而,在这种情况下,很少有人注意到艺术所产生的美学经验的贡献,这种艺术表达并公开与他人分享痛苦的生活经验。2016年,尤安·格雷(Euan Grey)在利物浦维多利亚画廊和博物馆(Victoria Galleries and Museum Liverpool)策划了一场艺术展览《幻肢》(Phantom Limb),我认为审美体验在理解疼痛和痛苦方面起着至关重要的作用,从而在欣赏艺术对公众心理健康的重要性和对患者的整体治疗方面开辟了新的领域。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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