Hideo Daikoku, Taiki Shimozono, Shinya Fujii, Shantala Hegde, Patrick E. Savage
{"title":"Cross-cultural Perception of Musical Similarity Within and Between India and Japan","authors":"Hideo Daikoku, Taiki Shimozono, Shinya Fujii, Shantala Hegde, Patrick E. Savage","doi":"10.1177/20592043231207998","DOIUrl":null,"url":null,"abstract":"Cross-cultural perception of musical similarity is important for understanding musical diversity and universality. In this study we analyzed cross-cultural music similarity ratings on a global song sample from 110 participants (62 previously published from Japan, 48 newly collected from musicians and non-musicians from north and south India). Our pre-registered hypothesis that average Indian and Japanese ratings would be correlated was strongly supported ( r = .80, p < .001). Exploratory analyses showed that ratings from experts in Hindustani music from the north and Carnatic music from the south showed the lowest correlations ( r = .25). These analyses suggest that the correlations we found are likely due more to shared musical exposure than to innate universals of music perception.","PeriodicalId":33047,"journal":{"name":"Music Science","volume":"134 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Music Science","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/20592043231207998","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
Cross-cultural perception of musical similarity is important for understanding musical diversity and universality. In this study we analyzed cross-cultural music similarity ratings on a global song sample from 110 participants (62 previously published from Japan, 48 newly collected from musicians and non-musicians from north and south India). Our pre-registered hypothesis that average Indian and Japanese ratings would be correlated was strongly supported ( r = .80, p < .001). Exploratory analyses showed that ratings from experts in Hindustani music from the north and Carnatic music from the south showed the lowest correlations ( r = .25). These analyses suggest that the correlations we found are likely due more to shared musical exposure than to innate universals of music perception.