Cross-cultural Perception of Musical Similarity Within and Between India and Japan

Q1 Arts and Humanities
Hideo Daikoku, Taiki Shimozono, Shinya Fujii, Shantala Hegde, Patrick E. Savage
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引用次数: 0

Abstract

Cross-cultural perception of musical similarity is important for understanding musical diversity and universality. In this study we analyzed cross-cultural music similarity ratings on a global song sample from 110 participants (62 previously published from Japan, 48 newly collected from musicians and non-musicians from north and south India). Our pre-registered hypothesis that average Indian and Japanese ratings would be correlated was strongly supported ( r = .80, p < .001). Exploratory analyses showed that ratings from experts in Hindustani music from the north and Carnatic music from the south showed the lowest correlations ( r = .25). These analyses suggest that the correlations we found are likely due more to shared musical exposure than to innate universals of music perception.
印度和日本音乐相似性的跨文化认知
音乐相似性的跨文化认知对于理解音乐的多样性和普遍性具有重要意义。在这项研究中,我们分析了来自110名参与者的全球歌曲样本的跨文化音乐相似性评级(62名以前来自日本,48名新收集的来自印度北部和南部的音乐家和非音乐家)。我们预先登记的印度和日本平均评级相关的假设得到了强有力的支持(r = 0.80, p <措施)。探索性分析表明,来自北方印度斯坦音乐专家和来自南方卡纳蒂克音乐专家的评分显示出最低的相关性(r = 0.25)。这些分析表明,我们发现的相关性可能更多地是由于共同的音乐接触,而不是天生的音乐感知。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Music  Science
Music Science Arts and Humanities-Music
CiteScore
2.80
自引率
0.00%
发文量
15
审稿时长
10 weeks
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