Fiction and non-fiction in the “thirty-year-old” generation (“millennials”) prose

G. Altynbaeva
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Abstract

Based on the analysis of the texts from contemporary Russian literature, the article investigates one of the features of the “thirty-year-old” generation prose (V. Bogdanova, O. Vasyakina, K. Hepting, K. Kupriyanov, E. Manoilo, V. Pustovaya, B. Khanov, I. Khanipaev, et al.). As an additional source, this research uses “thirty-year-old” writers’ interviews and the results of the comparison of their prose with the texts and manifestos of “new realists”.   The purpose of the research is to understand the features characterizing the combination of fiction and non-fiction in the latest Russian prose.   The article raises the problem of biographical, non-fictional and fictional boundaries in the “thirty-year-old” generation texts. In particular, it appears necessary to understand how the millennial author’s biography is reflected at the levels of the genre, composition and plot. Special attention is paid to the authentic and psychological aspects in the artistic method of “thirty-year-old” writers who include the elements of a diary, confession and Bildungs-roman in the structure and content of their prose. They also create their own pseudo-memories, an alternative history. The research concludes that the “thirty-year-old” generation prose problems and poetics are influenced by the writer’s biography and personality, as well as the specific period of the time they write in.
“三十岁”一代(“千禧一代”)散文中的虚构与非虚构
本文在对俄罗斯当代文学文本分析的基础上,考察了“三十岁”一代散文(V. Bogdanova、O. Vasyakina、K. Hepting、K. Kupriyanov、E. Manoilo、V. Pustovaya、B. Khanov、I. Khanipaev等)的特征之一。作为一个额外的来源,本研究使用了“三十岁”作家的访谈,并将他们的散文与“新现实主义者”的文本和宣言进行了比较。研究的目的是了解最新俄罗斯散文小说与非小说结合的特点。本文提出了“三十岁”一代文本的传记性、非虚构性和虚构性界限问题。特别是,有必要了解这位千禧一代作家的传记是如何在体裁、构图、情节等层面上反映出来的。“三十岁”作家在其散文的结构和内容中包含日记、告白和教育罗马的元素,他们的艺术方法特别关注真实性和心理方面。他们也创造了自己的伪记忆,一段另类的历史。研究认为,“三十”一代散文问题和诗学受到作家生平和性格的影响,也受到作家写作所处的特定时代的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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