{"title":"‘<i>This app is evil forest true true</i>’: metaphor-based metadiscursive evaluations of Twitter by Nigerians","authors":"Onwu Inya","doi":"10.1093/llc/fqad063","DOIUrl":null,"url":null,"abstract":"Abstract Previous linguistic studies on Nigeria-based Twitter discourse have investigated radicalist, terrorist, campaign, and electioneering discourses. These previous studies focus on discourses produced on Twitter, and not metadiscursive reflections about the social media space itself, and the discursive practice of dragging, in the context of celebrity–newcomer socialization, drawing theoretical insights from metaphoric conceptualizations. This article examines metaphor-based metadiscursive evaluations of the microblogging space by Nigerians. The data for the study comprise tweets retrieved from the Twitter account of a Nigerian celebrity new to Twitter, and subjected to metaphor scenario analysis. It was found that the metaphoric concepts of EVIL FOREST, STREET AS CULTURE/HIGHWAY, and DRAG/TIGER GENERATOR provide frames for characterizing, and evaluating Twitter, and the practice of dragging, respectively. Such user-based metadiscursive metaphoric reflections about the digital space, and culture grant access to the conceptual, and ideological structures that underscore participation in cyberspace. This article has implications for understanding the conceptual and ideological structures that underscore participation on Twitter NG, and the (dis)affiliative stance towards online bullying inherent in the practice of dragging.","PeriodicalId":45315,"journal":{"name":"Digital Scholarship in the Humanities","volume":"22 1","pages":"0"},"PeriodicalIF":0.7000,"publicationDate":"2023-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Digital Scholarship in the Humanities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/llc/fqad063","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract Previous linguistic studies on Nigeria-based Twitter discourse have investigated radicalist, terrorist, campaign, and electioneering discourses. These previous studies focus on discourses produced on Twitter, and not metadiscursive reflections about the social media space itself, and the discursive practice of dragging, in the context of celebrity–newcomer socialization, drawing theoretical insights from metaphoric conceptualizations. This article examines metaphor-based metadiscursive evaluations of the microblogging space by Nigerians. The data for the study comprise tweets retrieved from the Twitter account of a Nigerian celebrity new to Twitter, and subjected to metaphor scenario analysis. It was found that the metaphoric concepts of EVIL FOREST, STREET AS CULTURE/HIGHWAY, and DRAG/TIGER GENERATOR provide frames for characterizing, and evaluating Twitter, and the practice of dragging, respectively. Such user-based metadiscursive metaphoric reflections about the digital space, and culture grant access to the conceptual, and ideological structures that underscore participation in cyberspace. This article has implications for understanding the conceptual and ideological structures that underscore participation on Twitter NG, and the (dis)affiliative stance towards online bullying inherent in the practice of dragging.
期刊介绍:
DSH or Digital Scholarship in the Humanities is an international, peer reviewed journal which publishes original contributions on all aspects of digital scholarship in the Humanities including, but not limited to, the field of what is currently called the Digital Humanities. Long and short papers report on theoretical, methodological, experimental, and applied research and include results of research projects, descriptions and evaluations of tools, techniques, and methodologies, and reports on work in progress. DSH also publishes reviews of books and resources. Digital Scholarship in the Humanities was previously known as Literary and Linguistic Computing.