The portrait of Jane Austen in chick lit style (“Jane in Love” by R. Givney)

G. Ishimbayeva
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Abstract

The article studies Rachel Givney’s novel “Jane in Love”, which conjectures the biography of Jane Austen who is considered to be the mother of chick lit. The study proves that Givney uses: 1) the principles and techniques of chick lit, a modern literary genre of the post-feminist era, at the same time revising the matrix of chick lit; 2) a fabulous narrative theme, discovered by V. Propp, which also undergoes some revision. Givney rethinks the happy ending conceptually important for chick lit and for the fairy tale with regard to a psychological novel devoted to an artist who has found his voice and his place in world literature. In her narrative about Jane Austen, a time traveler, the writer conceptualizes her significance for modern English culture and the Englishmen structuring her novel with formulas-codes of Jane Austen’s oeuvre. The main storyline of her novels is devoted to the complexities of love, and their plots assume a certain set of components. A love affair with a happy ending in the spirit of the Cinderella fairy tale is the main formula of Jane Austen’s novels, which is in demand in chick lit. R. Givney reduces this formula and fills it with a new content: her Jane Austen sacrifices a man for the sake of the future.
女性文学风格的简·奥斯汀肖像(R. Givney的《恋爱中的简》)
本文以蕾切尔·吉夫尼的小说《恋爱中的简》为研究对象,对被认为是小鸡文学之母的简·奥斯汀的生平进行了推测。研究证明吉夫尼运用了:1)后女权主义时代的现代文学体裁小鸡文学的原则和技巧,同时对小鸡文学的母体进行了修正;2)一个神话般的叙事主题,由V. Propp发现,也经过一些修改。吉夫尼重新思考了幸福结局对女性文学和童话的概念重要性,这是一部心理小说,致力于一位在世界文学中找到自己的声音和位置的艺术家。在她对简·奥斯丁这个时间旅行者的叙述中,作者概念化了她对现代英国文化的意义,以及英国人用简·奥斯丁作品的准则来构建她的小说。她的小说的主要故事情节致力于爱情的复杂性,他们的情节假设了一套特定的组成部分。“灰姑娘”式的美满爱情是简·奥斯汀小说的主要模式,这在女性文学中很受欢迎。r·吉夫尼将这一模式简化,并赋予了新的内容:她笔下的简·奥斯汀为了未来牺牲了一个男人。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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