Harlem at Four by Michael Datcher (review)

Adam McConville
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引用次数: 0

Abstract

Reviewed by: Harlem at Four by Michael Datcher Adam McConville Datcher, Michael Harlem at Four; illus. by Frank Morrison. Random House Studio, 2023 [48p] Trade ed. ISBN 9780593429334 $18.99 E-book ed. ISBN 9780593429358 $10.99 Reviewed from digital galleys R* 4-8 yrs In the first half of this radiant picture book, a four-year-old Black girl named Harlem sets off with her father for a day out in the neighborhood for which she's named. They listen to John Coltrane songs played on a street musician's saxophone, gaze at Romare Bearden's art in a museum, and "bond on Black genius." The focus then shifts to the history of Harlem the neighborhood, explaining its turn-of-the-century origins as a refuge for Black Americans moving North during the Great Migration and its later significance to key figures in the civil rights movement, including Malcom X and Sonia Sanchez. Both Datcher's text and Morrison's art exude pride, in the confident, shining face of Harlem the child and the collective excellence of Harlem the neighborhood. An author's note explains that Datcher's experiences [End Page 53] with his own daughter inspired the book, and short, staccato lines convey his love for her and Harlem history: "Cameras can't capture / Your Malcolm X / Boulevard / Corner speaker confidence. / Fierce can't be photographed. / Shutter speed / Too slow / To frame you." The artwork is stunning, with perspectives shifting from cozy close-ups of small Harlem and her willowy dad waking for the day to huge, graffitied murals that dwarf them in size. The compositions and color palette shift with the topic, adopting more measured perspectives and a muted, sepia tint when depicting Philip A Payton, Jr., "the Father of Harlem," and the many families he enabled to move to the neighborhood. The rapid references to cultural and historical details will likely need some additional context, but that is neatly provided in back matter that also includes sources for further reading. This is a loving ode to Black fatherhood, art in all its forms, and a neighborhood bound together by culture and community. Copyright © 2023 The Board of Trustees of the University of Illinois
迈克尔·达彻《四点的哈莱姆》(书评)
书评:迈克尔·达彻《四点的哈莱姆》亚当·麦康维尔·达彻《四点的迈克尔·哈莱姆》;插图。弗兰克·莫里森著。4-8岁在这本光芒四射的绘本的前半部分,一个名叫哈莱姆的四岁黑人女孩和父亲一起去她命名的社区玩了一天。他们听着街头音乐家用萨克斯管演奏的约翰·科尔特兰(John Coltrane)的歌曲,凝视着博物馆里罗马·比尔登(romane Bearden)的艺术作品,“与黑人天才产生共鸣”。然后,重点转移到哈莱姆社区的历史,解释了它在世纪之交的起源,作为大迁徙期间向北迁移的美国黑人的避难所,以及后来对民权运动中的关键人物的意义,包括马尔科姆·X和索尼娅·桑切斯。达彻的文字和莫里森的艺术都散发着骄傲的气息,在哈莱姆这个孩子自信、闪亮的脸上,在哈莱姆这个社区的集体卓越中。一位作者的笔记解释说,达彻和自己女儿的经历激发了这本书的灵感,简短而断断续续的句子表达了他对女儿和哈莱姆历史的爱:“相机无法捕捉/你的马尔科姆·X /林荫大道/角落演讲者的自信。/凶猛不能拍照。/快门速度/太慢/无法定格你。”这些艺术品令人惊叹,从舒适的特写小哈莱姆区和她瘦弱的父亲起床,到巨大的涂鸦壁画,这些壁画的大小使他们相形见绌。构图和调色板随着主题的变化而变化,在描绘“哈莱姆之父”小菲利普·a·佩顿(Philip a . Payton, Jr.)和他帮助搬到这个社区的许多家庭时,采用了更慎重的视角和柔和的棕褐色。对文化和历史细节的快速引用可能需要一些额外的背景,但这在后刊中提供得很好,其中还包括进一步阅读的来源。这是一首充满爱的颂歌,歌颂黑人的父爱,各种形式的艺术,以及一个由文化和社区联系在一起的社区。版权所有©2023伊利诺伊大学董事会
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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